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Silent Players – Anthony Slide (2002) PDF Download

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  Silent Players – Anthony Slide (2002) PDF Download A biographical and autobiographical study of 100 silent film actors and actresses Silent Players – Anthony Slide Copyright © 2002 by The University Press of Kentucky Filled with little known facts and personal remembrances of the stars of the silent screen, Silent Players profiles the lives and careers of the hundred best, brightest, or most unusual silent film actors and actresses Anthony Slide shows that the unlikely plot twists in many silent films are nothing compared to the strange and often sad, lives led by many of the men and women whose images flickered onscreen. White River Junction Vermont – Lillian Gish returns to Way Down East scene (1979) A biographical and autobiographical study of 100 silent film act_nodrm DOWNLOAD Back to Lillian Gish Home page

The House of Barrymore (PDF Download) – By Margot Peters (1990)

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  The House of Barrymore (PDF Download) – By Margot Peters (1990) Alfred A. Knopf New York, 1990 Published in the United States by Alfred A. Knopf, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Distributed by Random House, Inc., New York. FIVE dollars!” said little Lillian Gish after making her first movie. “For doing so little!” Mary Pickford also agreed that movies were great between stage jobs: “I’m earning more than I ever have before—much more!” “I saw you in the picture play,” said Frohman to his star Marie Doro. “What a lot of money you make!” And there is no use pretending that movies meant much more than easy money to the actors who gravitated to the decaying brownstone where D. W. Griffith and his cameraman Billy Bitzer ground out the one-reelers that were making cinematographic history. Some of the Broadway actors who condescended to a few days’ work at the Biograph studio treated the whole business with contempt. “But from the mome

Lobby Cards – Lillian Gish

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  Lobby Cards – Lillian Gish “We used to laugh about films in the early days,” she says. “We used to call them flickers. Mr. Griffith said, ‘Don’t you ever let me hear you use that word again.The film and its power are predicted in the Bible. There’s to be a universal language making all men understand each other. We are taking the first baby steps in a power that could bring about the millennium.Remember that when you stand in front of the camera.’” Back to Lillian Gish Home page