The choice for viewing tonight is ‘Hobson’s Choice’ – Bill Hayden (1983)



The choice for viewing tonight is ‘Hobson’s Choice’ – Bill Hayden (1983)


San Bernardino Sun, Volume 110, Number 355, 21 December 1983

The choice for viewing tonight is ‘Hobson’s Choice’

By BILL HAYDEN Gannett News Service
Back around 1620, an English livery stable owner named Thomas Hobson had very definite ideas about renting out his horses. Customers either took the horse he picked out or got no steed at all.
From this grew the slang phrase “Hobson’s choice,” meaning taking what’s offered or nothing at all.
Another Hobson doesn’t even offer that choice at least to his daughters. As far as tradesman Henry Horatio Hobson is concerned, the three girls are getting nothing from him. This particular situation is the basis for a light but appealing comic television movie, “Hobson’s Choice,” CBS, tonight at 9.


1983 Richard Thomas Lillian Gish Hobsons Choice VINTAGE TV PHOTO 914A
1983 Richard Thomas Lillian Gish Hobsons Choice

As portrayed by Jack Warden, Henry Hobson is an irascible, pompous, self – important but lovable penny pincher more interested in totally dominating his household and impressing his drinking cronies in New Orleans of 1914 than in running the shoemaking shop that provides the pennies to be pinched. The Hobson household consists of three unmarried daughters. The women are single because he refuses to provide them with the dowries needed to marry. After all, if he put up the money, he would lose eldest daughter Sharon Gless, who runs the shop while he spends his time at the local bar. And when Gless wants to marry one of his employees shy, illiterate Richard Thomas Warden steadfastly refuses to bless the match.


Sharon Gless Jack Warden Lillian Gish - Hobson's Choice
Sharon Gless Jack Warden Lillian Gish – Hobson’s Choice

Now, not only is Gless as headstrong and proud as her father, a free-thinker and a competent businesswoman, but she’s getting a little desperate. She’s 30 considered over the hill during that period and verging on spinsterdom. Gless rebels against this flamboyant autocrat, hatching a scheme that involves Thomas and Lillian Gish as one of the shop’s most satisfied customers. Thomas happens to be the best shoemaker not just in Warden’s employ, but in all of New Orleans. Gish happens to be both sympathetic to Gless’ plight and quite rich. With Gish’s underwriting and Thomas’ skills, Gless opens up a business of her own in direct competition with Warden. What ensues is a delightfully magnificent father – daughter squabble that has subtlely commented on social conventions and perceptions of the times by the time the dust settles.
Gannett News Service – Bill Hayden 1983


Hobson's Choice 1983 Advert
Hobson’s Choice 1983 Advert
San Bernardino Sun, Volume 110, Number 355, 21 December 1983
San Bernardino Sun, Volume 110, Number 355, 21 December 1983

Back to Lillian Gish Home page

Comments

Post a Comment

Popular posts from this blog

D.W. Griffith – An American Life (By Richard Schickel – 1984)

Image
D.W. Griffith – An American Life (By Richard Schickel – 1984) D.W. Griffith – An American Life By Richard Schickel – 1984 Griffith! Before him, the movies were a nickelodeon novelty, after him, they were an international art form and a powerful, glamorous American industry He was the first to codify the rules and techniques of screen storytelling, the first to establish the conventions by which the unique capacities of the movies for both sweeping spectacle and profound intimacy could be employed in long, complex narratives, the first to assert the director’s claim to primary authorship of a film Above all, it was Griffith who imagined the future of his medium, and with his driving energy, his taste for the grandiose and his flair for publicity, propelled that medium toward that future—only to be crushed by the very forces he had unleashed. D.w. Griffith (1875-1948) Painting; D.w. Griffith (1875-1948) Art Print for sale His story is, in huge measure, the story of how the
Read more

Lillian Gish and Jeanne Moreau – Vanity Fair 1983

Image
Lillian Gish and Jeanne Moreau – Vanity Fair 1983 Vanity Fair – October 1983 Lillian Gish Jeanne Moreau This is a summit meeting: a queen paying homage to an empress. Of course, Lillian Gish, far right, is no truer a blueblood than any other homespun midwesterner. But wherever she goes now, she is treated like a monarch, acknowledging standing ovations in allAmerican palaces like Radio City Music Hall. Her admirers aren’t really applauding her 101 films (she has just completed the 102nd, about a sweet old lady and her sweet old dog). They may never have seen her slim but supernally intense performances in the D. W. Griffith masterpieces or in the Victor Sjostrom classics she made in the late ’20s at MGM. Lillian-Gish-Jeanne-Moreau 60s But they sense in her the grace, the purity, the wealth of symbolism that royalty sustains. Gish’s companion here, Jeanne Moreau, radiates a similar authority; what Gish was to the cinema of the ’20s, Moreau was to the cinema of the ’60s. “The
Read more