W-G-N To Star Lillian Gish in Sunday Drama (Chicago Tribune 1940)

 

Lillian Gish as Vinnie in Life With Father -- 1940

W-G-N To Star Lillian Gish in Sunday Drama (Chicago Tribune 1940)

Chicago Tribune – February, Wednesday 21, 1940 – Page 16

W-G-N To Star Lillian Gish in Sunday Drama

Cast as Wife in Sheridan’s ‘School for Scandal’

By Larry Wolters

Lillian Gish, one of the brightest stars of the silent movie era and now a stage headliner, and Percy Waram, distinguished veteran of the theater, will be featured in a radio adaptation of Richard Brinsley Sheridan’s classic comedy, “The School for Scandal,” on the Fifth Row Center production over W-G-N and the Mutual network at 5 p.m. Sunday.

The show will be presented before a studio audience. The musical setting will be provided by Harold Stokes and the W-G-N Dance orchestra. Miss Gish and Mr. Waram are appearing in Clarence Day’s comedy “Life With Father,” in the Blackstone theater.

Lillian Gish as Vinnie in Life With Father -- 1940

Cast as Lady Teazle.

In “The School for Scandal” Miss Gish will portray the role of the mischievous Lady Teazle and Waram will play that of her blundering husband, Sir Peter Teazle.

When she steps before the W-G-N microphone Miss Gish will be following in the footsteps of her sister Dorothy. Dorothy came from New York three years ago to play the leading role in the serial “The Couple Next Door,” on W-G-N. Harold Vermilyea was co-featuring with her.

Lillian Gish established herself as a theatrical performer in those trail blazing movie epics “The Birth of a Nation,” “Orphans of the Storm,” and “Intolerance.”

Stage Work Follows Movies.

Since her retirement from pictures she has proved her versatility as an actress in “Hamlet” with John Gielgud, Chekhoff’s “Uncle Vanya,” and Maxwell Anderson’s “The Star Wagon” with Burgess Meredith, in which she last appeared in Chicago.

English born Percy Waram’s most recent notable role was that of the stern father in “Pride and Prejudice.” He has distinguished himself in numerous Theater Guild productions, including “R.U.R.,” “Elizabeth the Queen,”  and “Mary of Scotland.”

Life With Father - Lillian Gish and Percy Waram

Back to Lillian Gish Home page

Comments

Post a Comment

Popular posts from this blog

Lillian Gish and Jeanne Moreau – Vanity Fair 1983

Image
Lillian Gish and Jeanne Moreau – Vanity Fair 1983 Vanity Fair – October 1983 Lillian Gish Jeanne Moreau This is a summit meeting: a queen paying homage to an empress. Of course, Lillian Gish, far right, is no truer a blueblood than any other homespun midwesterner. But wherever she goes now, she is treated like a monarch, acknowledging standing ovations in allAmerican palaces like Radio City Music Hall. Her admirers aren’t really applauding her 101 films (she has just completed the 102nd, about a sweet old lady and her sweet old dog). They may never have seen her slim but supernally intense performances in the D. W. Griffith masterpieces or in the Victor Sjostrom classics she made in the late ’20s at MGM. Lillian-Gish-Jeanne-Moreau 60s But they sense in her the grace, the purity, the wealth of symbolism that royalty sustains. Gish’s companion here, Jeanne Moreau, radiates a similar authority; what Gish was to the cinema of the ’20s, Moreau was to the cinema of the ’60s. “The
Read more

D.W. Griffith – An American Life (By Richard Schickel – 1984)

Image
D.W. Griffith – An American Life (By Richard Schickel – 1984) D.W. Griffith – An American Life By Richard Schickel – 1984 Griffith! Before him, the movies were a nickelodeon novelty, after him, they were an international art form and a powerful, glamorous American industry He was the first to codify the rules and techniques of screen storytelling, the first to establish the conventions by which the unique capacities of the movies for both sweeping spectacle and profound intimacy could be employed in long, complex narratives, the first to assert the director’s claim to primary authorship of a film Above all, it was Griffith who imagined the future of his medium, and with his driving energy, his taste for the grandiose and his flair for publicity, propelled that medium toward that future—only to be crushed by the very forces he had unleashed. D.w. Griffith (1875-1948) Painting; D.w. Griffith (1875-1948) Art Print for sale His story is, in huge measure, the story of how the
Read more

ART DECO FASHION – by Suzanne Lussier (2003)

Image
  ART DECO FASHION – by Suzanne Lussier (2003) ART DECO FASHION Suzanne Lussier BULFINCH PRESS AOL Time Warner Book Group Copyright © 2003 by The Board of Trustees of the Victoria and Albert Museum The term Art Deco was employed for the first time in 1968 by the author Bevis Hillier. It identifies an aesthetic in vogue between 1909 and 1939 which was adopted in architecture, the decorative arts, textiles and fashion; it also influenced the fine arts, film and photography. Art Deco displayed stylized motifs and shapes borrowed from national traditions, folk art and ancient cultures, and was strongly influenced by the art of the avant-garde. Art deco fashion_Tamara de Lempicka 1929 Art Deco emerged from a unique artistic conjunction. From 1905, avant-garde movements sprung up one after another throughout Europe: the Fauves and Cubists in Paris, the Futurists in Italy, the Constructivists in Russia. Meanwhile the Ballets Russes were founded in Russia by Sergei Diaghilev who, wanting to re
Read more