The Movies in the Age of Innocence – By Edward Wagenknecht (1962) PDF download

 

The Movies in the Age of Innocence – By Edward Wagenknecht (1962) PDF download

Of Film and I, and How This Book Unwittingly Got Itself Started

I remember once seeing a book described as the work of a good scholar on holiday. Whether I am a good scholar or not must be left for others to judge, but I have certainly written what are generally called scholarly books, and I have surely enjoyed a delightful holiday working on this one, especially during the period which I devoted to reviewing old films and coming about as close as possible to living my life over again. I do not of course mean that I have wrought carelessly. This book will appear in my literary chronology between a study of Washington Irving and a study of Edgar Allan Poe, and I think the confrontations involved quite delightful. Many of the same techniques which I applied in writing my histories of the English and American novel are used again here. Yet there is a difference between reading manuscripts at the Houghton and Morgan libraries and watching films at George Eastman House and the Museum of Modern Art Film Library, and somehow one turns over the files of Photoplay Magazine and The Moving Picture World in a different spirit from that in which one searches out articles in PMLA and Modem Philology, This volume is not a definitive history of the silent film. I once cherished the hope of writing such a history, and this book was conceived as a preliminary study for it. Now I do not quite see how anybody could ever produce such a history. Most of the requisite material is unavailable, and if it were here it would be quite too overwhelming to get through. (Edward Wagenknecht)

Access the link below to download the PDF version

The movies in the age of innocence_nodrmDOWNLOAD
The movies in the age of innocence

Back to Lillian Gish Home page

Comments

Post a Comment

Popular posts from this blog

D.W. Griffith – An American Life (By Richard Schickel – 1984)

Image
D.W. Griffith – An American Life (By Richard Schickel – 1984) D.W. Griffith – An American Life By Richard Schickel – 1984 Griffith! Before him, the movies were a nickelodeon novelty, after him, they were an international art form and a powerful, glamorous American industry He was the first to codify the rules and techniques of screen storytelling, the first to establish the conventions by which the unique capacities of the movies for both sweeping spectacle and profound intimacy could be employed in long, complex narratives, the first to assert the director’s claim to primary authorship of a film Above all, it was Griffith who imagined the future of his medium, and with his driving energy, his taste for the grandiose and his flair for publicity, propelled that medium toward that future—only to be crushed by the very forces he had unleashed. D.w. Griffith (1875-1948) Painting; D.w. Griffith (1875-1948) Art Print for sale His story is, in huge measure, the story of how the
Read more

Lillian Gish and Jeanne Moreau – Vanity Fair 1983

Image
Lillian Gish and Jeanne Moreau – Vanity Fair 1983 Vanity Fair – October 1983 Lillian Gish Jeanne Moreau This is a summit meeting: a queen paying homage to an empress. Of course, Lillian Gish, far right, is no truer a blueblood than any other homespun midwesterner. But wherever she goes now, she is treated like a monarch, acknowledging standing ovations in allAmerican palaces like Radio City Music Hall. Her admirers aren’t really applauding her 101 films (she has just completed the 102nd, about a sweet old lady and her sweet old dog). They may never have seen her slim but supernally intense performances in the D. W. Griffith masterpieces or in the Victor Sjostrom classics she made in the late ’20s at MGM. Lillian-Gish-Jeanne-Moreau 60s But they sense in her the grace, the purity, the wealth of symbolism that royalty sustains. Gish’s companion here, Jeanne Moreau, radiates a similar authority; what Gish was to the cinema of the ’20s, Moreau was to the cinema of the ’60s. “The
Read more