Lillian Diana Gish www.lilliangish1893.com

  D.W Griffith American Film Master by Iris Barry – 1965 (Electronic Format PDF) D.W Griffith American Film Master by Iris Barry – 1965 With an annotated list of films by Eileen Bowser The Museum of Modern Art, New York Film enthusiasts and scholars have come to regard this long out of print book as the chief source of information about a key figure in the development of the American film. It is now published in an edition that adds to the colorful observation of the original a wealth of illuminating factual data from Griffith’s personal and business papers. D. W. Griffith: American Film Master first appeared in 1940 in conjunction with a pioneering retrospective exhibition of Griffith’s films at The Museum of Modern Art. As first curator of the Museum’s Film Library, Iris Barry had uncovered and re-examined the films Griffith made at the very beginning of his career, and it was she who first saw that in the four years following 1908 he had actually established all the principles o...

  The Quarterly Journal of the Library of Congress – 1980 The Quarterly Journal of the Library of Congress Summer-Fall 1980: Vol 37 Iss 3-4 Billy Bitzer and D.W. Griffith Fortunately for film historians, films, reviews, written reminiscences, and production records from the D. W. Griffith years have survived. This period is recalled in Erik Barnouw’s article on Arthur Sintzenich (“Snitch”), who was one of Griffith’s cameramen from 1923 to 1926, in Jean Tucker’s oral history of the early filmmaker based upon the observations of Lillian Gish and others who worked with him on Intolerance, and in Paul Spehr’s production study of the early years of the Biograph Company. Jean Renoir, in My Life and My Films, wrote that films are an emotional, not an intellectual experience. Griffith also expressed this nonverbal universality of films in his 1924 article, “The Movies 100 Years from Now”: It will never be possible to synchronize the voice with the pictures. This is true because the very na...

  The Civil War on the screen by JACK SPEARS (1977) The Civil War on the Screen and Other Essays by JACK SPEARS © 1977 by A. S. Barnes and Co., In’ .  Hollywood’s colorful treatment of the most tragic period in American history is traced in fascinating detail in The Civil War on the Screen and Other Essays. From D, W. Griffith’s monumental The Birth of a Nation to Clark Gable’s picaresque Captain Rhett Butler of Gone with the Wind, Jack Spears nostalgically recaptures the romance of dozens of Civil War movies. He explores the many screen impersonations of Abraham Lincoln, Ulysses S. Grant, Robert E. Lee, and other figures of history, including the infamous guerrilla chiefs Quantrill and Morgan. An entertaining look at the espionage drama, crinoline love stories, lighthearted comedies (Buster Keaton’s The General), and authentic battle epics is en-livened with many personality sketches of the captivating stars of the silents and talkies. There is a penetrating analysis of the s...