City Bestows Accolade On a Cheerful Miss Gish (The New York Times – Oct. 18, 1973)

City Bestows Accolade On a Cheerful Miss Gish (The New York Times – Oct. 18, 1973)

Lillian Gish receiving Handel Medallion from NYC Mayor Lindsay
Lillian Gish receiving Handel Medallion from NYC Mayor John Lindsay
Actresses Jacqueline Bisset (left) and Lillian Gish join Mayor Lindsay at the opening of the 11th New York Film Festival at Lincoln Center. September 29, 1975
Actresses Jacqueline Bisset (left) and Lillian Gish join Mayor Lindsay at the opening of the 11th New York Film Festival at Lincoln Center. September 29, 1975. (Photo by Jerry EngelNew York Post Archives (c) NYP Holding

City Bestows Accolade On a Cheerful Miss Gish

The New York Times – Oct. 18, 1973
Lillian Gish, who has criticized herself for living too much in “tomorrows,” enjoyed a yesterday that she said she would remember always. “This is a tremendous honor, Your Honor,” said, the actress of the silent screen, smiling at Mayor Lindsay as he awarded her the Handel Medallion for achievement in the arts.
1973 Press Photo Lillian Gish promoting book 1973
1973 Press Photo Lillian Gish promoting book 1973
“I’ve never enjoyed giving this medal more,” responded. Mayor Lindsay, who has bestowad the honor seven times this year. Addressing the small group that had accompanied Miss Gish to his office in City Hall for the ceremony, he read the inscription on the medal: “To Dorothy and Lillian Gish, for the joy they have given to generations of Americans.”
1973 Press Photo Lillian Gish Nov 6 1973 Sun Times B
1973 Press Photo Lillian Gish Nov 6 1973 Sun Times
Miss Gish, who says she is “one decade older than the century,” looked delicate but vibrant and full of energy. “Oh, my beloved sister,” she said after hearing the inscription addressed to her and her late sister. “She was the talent in the family. I didn’t have her gift of comedy.”
City Bestows Accolade On a Cheerful Miss Gish - NY Times 1973
City Bestows Accolade On a Cheerful Miss Gish – NY Times 1973
Lillian Gish promoting her Dorothy and Lillian Gish book in 1973 - New York
Lillian Gish promoting her Dorothy and Lillian Gish book in 1973 – New York
Lillian Gish - candid by New York Post 1973
Lillian Gish – candid by New York Post 1973

Back to Lillian Gish Home page

Charles Chaplin, Mayor of NY John Lindsay, Lillian Gish, Oona O'Neill 1970's
Charles Chaplin, Mayor of NY John Lindsay, Lillian Gish, Oona O’Neill 1970’s
Dorothy And Lillian Gish by Lillian Gish (Scribners)
Dorothy And Lillian Gish by Lillian Gish (Scribners) Sleeve – Cover

Back to Lillian Gish Home page

Comments

Post a Comment

Popular posts from this blog

Lillian Gish and Jeanne Moreau – Vanity Fair 1983

Image
Lillian Gish and Jeanne Moreau – Vanity Fair 1983 Vanity Fair – October 1983 Lillian Gish Jeanne Moreau This is a summit meeting: a queen paying homage to an empress. Of course, Lillian Gish, far right, is no truer a blueblood than any other homespun midwesterner. But wherever she goes now, she is treated like a monarch, acknowledging standing ovations in allAmerican palaces like Radio City Music Hall. Her admirers aren’t really applauding her 101 films (she has just completed the 102nd, about a sweet old lady and her sweet old dog). They may never have seen her slim but supernally intense performances in the D. W. Griffith masterpieces or in the Victor Sjostrom classics she made in the late ’20s at MGM. Lillian-Gish-Jeanne-Moreau 60s But they sense in her the grace, the purity, the wealth of symbolism that royalty sustains. Gish’s companion here, Jeanne Moreau, radiates a similar authority; what Gish was to the cinema of the ’20s, Moreau was to the cinema of the ’60s. “The
Read more

D.W. Griffith – An American Life (By Richard Schickel – 1984)

Image
D.W. Griffith – An American Life (By Richard Schickel – 1984) D.W. Griffith – An American Life By Richard Schickel – 1984 Griffith! Before him, the movies were a nickelodeon novelty, after him, they were an international art form and a powerful, glamorous American industry He was the first to codify the rules and techniques of screen storytelling, the first to establish the conventions by which the unique capacities of the movies for both sweeping spectacle and profound intimacy could be employed in long, complex narratives, the first to assert the director’s claim to primary authorship of a film Above all, it was Griffith who imagined the future of his medium, and with his driving energy, his taste for the grandiose and his flair for publicity, propelled that medium toward that future—only to be crushed by the very forces he had unleashed. D.w. Griffith (1875-1948) Painting; D.w. Griffith (1875-1948) Art Print for sale His story is, in huge measure, the story of how the
Read more

ART DECO FASHION – by Suzanne Lussier (2003)

Image
  ART DECO FASHION – by Suzanne Lussier (2003) ART DECO FASHION Suzanne Lussier BULFINCH PRESS AOL Time Warner Book Group Copyright © 2003 by The Board of Trustees of the Victoria and Albert Museum The term Art Deco was employed for the first time in 1968 by the author Bevis Hillier. It identifies an aesthetic in vogue between 1909 and 1939 which was adopted in architecture, the decorative arts, textiles and fashion; it also influenced the fine arts, film and photography. Art Deco displayed stylized motifs and shapes borrowed from national traditions, folk art and ancient cultures, and was strongly influenced by the art of the avant-garde. Art deco fashion_Tamara de Lempicka 1929 Art Deco emerged from a unique artistic conjunction. From 1905, avant-garde movements sprung up one after another throughout Europe: the Fauves and Cubists in Paris, the Futurists in Italy, the Constructivists in Russia. Meanwhile the Ballets Russes were founded in Russia by Sergei Diaghilev who, wanting to re
Read more