Chicago Tribune – Sunday, April 27, 1930 – Page 105
Chekov’s “Uncle Vanya” Revived
Jed Harris, the still youthful producer who grew disgusted with the theater that made him upwards of a million dollars with such productions as “Broadway,” “Coquette,” “The Front Page,” and “The Royal Family,” came back to Broadway last week to revive Chekov’s “Uncle Vanya,” and later to inject himself into a fight against the managers who are seeking a solution of the ticket speculator business.
Theater producer Jed Harris
So far as the Chekov revival is concerned, it has two definite features of interest: First, it is one of the few professionally competent performances American actors have given of a Russian drama, and second, it brings the beautiful and wraith – like Lillian Gish back to the living theater after nearly twenty years absence in the movies.
The play is another of those placid, leisurely studies of character and life’s frustrations in which the older Russians specialized. Uncle Vanya of the title, is a gentle soul who has given up his life to the management of his family estate that Alexandria, a pompous mollusk who has married his sister and hypnotized the family by an assumption of learning and importance, may take his lazy ease.
Injury is added to imposition when, being set free by the death of his wife, Alexandria marries the woman Vanya loves. Goaded beyond his strength, Vanya finally turns on his windy tormentor and seeks to kill him. Even in this laudable endeavor he is thwarted, missing the target twice. Then, with the departure of the hated one and his young wife, life resumes its normal way on the estate and Vanya goes back to the unhappy grind.
Miss Lillian Gish as Helena in Jed Harris’ “Uncle Vanya”
Miss Gish is a rarely fascinating personality in the theater, moving consciously about; falling into unconsciously graceful poses; speaking in a gentle voice with modest expression; suggesting a little girl playing most intelligently at acting, but still a little girl.
As to the managers and speculators, Mr. Harris insists a little violently that the managers, who have organized a theater league to curb speculators, are all wrong, even a little imbecilic. They can never hope to control speculators, he says, even with former Gov. Al Smith as their Will Hays. He threatens to do something about it.
When Mamaroneck Upstaged Hollywood – By Bruce Berman (The New York Times – June 19, 1977) When Mamaroneck Upstaged Hollywood By Bruce Berman The New York Times – June 19, 1977 BACK in the early 1920’s when Mamaroneck was a center of movie‐making, Joseph Rigano was an employee of D.W. Grif fith’s studio at Orienta. “I was atone mason and mechanic,” the energetic 80year‐old said as we toured on foot Edgewater Point, at the top of the Orienta Peninsula. Griffith Studios, Orienta Point, Mamaroneck NY 1921 “After the studio was finally built, Mr. Griffith asked me to stay on as a set builder. Stone fireplaces were my specialty, but I worked on everything from Gothic walls to painted desert backdrops. The actors were almost always friendly, and I was getting $55 a week and drove a $1,200 Buick. What more could a young man desire?” DW Griffith filming team – Mamaroneck NY – Way Down East In those days the area was less the “East Coast Hollywood” than Hollywood was “the West Co
Portrait of Lillian Gish and Mother 1920 Nell Dorr Errata: Amon Carter Museum description "Lillian Gish and an elderly woman in lace"; The Movies, Mr.Griffith and Me description of this photo session - "with Mother"
The Movie Magazines and Lillian Gish … The moving Picture World 1914 detail The moving Picture World 1914 The moving Picture World 1914 detail Moving Picture World, November 21, 1914 Her Awakening – Lillian Gish The Angel of Contention Poster The moving Picture World – Mutual Program – A Question of Courage names wrong Lillian Gish And Dorothy The moving Picture World – Mutual Program – The Sisters The Birth of a Nation (David W. Griffith Corp., 1915). Herald2 Sold for Marriage Triangle Plays Program 1916 lillian_gish_photoplay_1917 08 ID Photo Back to Lillian Gish Home page Photoplay, August, 1918 – Dorothy and Lillian Gish in their dressing room Lillian Gish Photoplay August 1918 Lillian Gish Photoplay February 1919 Lillian Gish Photoplay, July, 1919 Back to Lillian Gish Home page Lillian Gish Photoplay October 1920 Orphans of The Storm Prog Herald 1921 Lillian Gish 1921 – The Girl Back Home Motion Picture Classic Magazine (Brewster, 1921) The Lily Maid from Ohio Ph