The way to improve film acting was not just to make the actors underplay but to let cinematic technique help the actors act. A camera can move in so close to an actor’s face that the blinking of an eye or the flicker of a smile can become a significant and sufficient gesture. Or the field of view can cut from the actor to the subject of the actor’s thoughts or attention, thereby revealing the emotion without requiring a grotesque, overstated thump on the chest. Film acting before Griffith—and before his greatest star, Lillian Gish—not only in the Film d’Art but in Melies and Porter and Hepworth as well, had been so bad precisely because the camera had not yet learned to help the actors.
Portrait of Lillian Gish and Mother 1920 Nell Dorr Errata: Amon Carter Museum description "Lillian Gish and an elderly woman in lace"; The Movies, Mr.Griffith and Me description of this photo session - "with Mother"
When Mamaroneck Upstaged Hollywood – By Bruce Berman (The New York Times – June 19, 1977) When Mamaroneck Upstaged Hollywood By Bruce Berman The New York Times – June 19, 1977 BACK in the early 1920’s when Mamaroneck was a center of movie‐making, Joseph Rigano was an employee of D.W. Grif fith’s studio at Orienta. “I was atone mason and mechanic,” the energetic 80year‐old said as we toured on foot Edgewater Point, at the top of the Orienta Peninsula. Griffith Studios, Orienta Point, Mamaroneck NY 1921 “After the studio was finally built, Mr. Griffith asked me to stay on as a set builder. Stone fireplaces were my specialty, but I worked on everything from Gothic walls to painted desert backdrops. The actors were almost always friendly, and I was getting $55 a week and drove a $1,200 Buick. What more could a young man desire?” DW Griffith filming team – Mamaroneck NY – Way Down East In those days the area was less the “East Coast Hollywood” than Hollywood was “the West Co
Mayor of NY with Connie Towers and Lillian Gish – backstage in the opening night of “Anya” Mayor of NY with Connie Towers and Lillian Gish – backstage in the opening night of “Anya” (December 1965) Anya star Connie Towers is pictured backstage with Lillian Gish and Mayor of the New York City John Lindsey. In private life, Connie is Mrs. Eugene McGrath who often visits Miami. Her husband’s mother. Mrs. Harry Scheibla, lives in Miami. The McGraths have two small children, a son and a daughter. Photo Friedman Abeles 351W 54St. N.Y.C. 19 Judson 6-3260 Constance Towers, Lillian Gish and John Lindsey (Mayor of NY) – Photo Anya Dec 5 1965 Constance Towers, Lillian Gish and John Lindsey (Mayor of NY) – Anya Dec 5 1965 Back to Lillian Gish Home page