In November 1960 a beautiful play came to the Belasco. Tad Mosel’s All the Way Home, adapted from James Agee’s novel A Death in the Family, starred Arthur Hill, Lillian Gish, Colleen Dewhurst, and Aline MacMahon. It etched with feeling the impact of a young fathers death on his family. It was awarded the Pulitzer Prize and the New York Drama Critics Circle Award as the best play of the season. In April 1930 producer Jed Harris, known as the boy wonder, returned from London and produced and directed an acclaimed revival of Chekhov’s Uncle Vanya, adapted by Mrs. Ben Hecht (Rose Caylor). Harris’s direction and the acting of his sterling cast, Lillian Gish, Osgood Perkins, Walter Connolly, Eduardo Ciannelli Joanna Roos, and others, made the occasion a theatrical event. A dramatization of the infamous Lizzie Borden ax murders, Nine Pine Street, had a fine performance by Lillian Gish as the neurotic killer, but it only ran a few weeks in 1933. The National had a series of failures and quick bookings during 1932 and 1933 and was dark for more than a year during those gray Depression days. But on October 22, 1934, a distinguished drama opened at this theatre. It was Sean O’Casey’s Within the Gates, directed by Melvyn Douglas and starring Lillian Gish as a prostitute, Bramwell Fletcher as a poet, and Moffat Johnston as a bishop. The play took place in London’s Hyde Park, and the very large cast represented the great variety of humanity who spent their days in the park.
Gish and Davis: Could the Two Work Together? – By Mike Kaplan (The New York Times – 1993) FILM; Gish and Davis: Could the Two Work Together? By Mike Kaplan The New York Times – April 18, 1993 When “The Whales of August” was filmed in 1986, the story of the relationship between two elderly sisters brought together two of the screen’s most enduring stars, Lillian Gish and Bette Davis. Miss Gish, who died Feb. 27 at the age of 99, will be remembered on Thursday at the Museum of Modern Art with a program called “In Memoriam.” It will include “The Whales of August,” her final film, directed by Lindsay Anderson, as well as her first, D. W. Griffith’s “Unseen Enemy” (1912). Here, Mike Kaplan, who co-produced “The Whales of August,” reflects on the interaction of its two stars. Bette Davis and Lillian Gish – The Whales of August, 1987 In the tributes to Lillian Gish that followed her death, references to her final starring role in “The Whales of August” were always glowing. B
The Movie Magazines and Lillian Gish … The moving Picture World 1914 detail The moving Picture World 1914 The moving Picture World 1914 detail Moving Picture World, November 21, 1914 Her Awakening – Lillian Gish The Angel of Contention Poster The moving Picture World – Mutual Program – A Question of Courage names wrong Lillian Gish And Dorothy The moving Picture World – Mutual Program – The Sisters The Birth of a Nation (David W. Griffith Corp., 1915). Herald2 Sold for Marriage Triangle Plays Program 1916 lillian_gish_photoplay_1917 08 ID Photo Back to Lillian Gish Home page Photoplay, August, 1918 – Dorothy and Lillian Gish in their dressing room Lillian Gish Photoplay August 1918 Lillian Gish Photoplay February 1919 Lillian Gish Photoplay, July, 1919 Back to Lillian Gish Home page Lillian Gish Photoplay October 1920 Orphans of The Storm Prog Herald 1921 Lillian Gish 1921 – The Girl Back Home Motion Picture Classic Magazine (Brewster, 1921) The Lily Maid from Ohio Ph
The War, the West, and the Wilderness – By Kevin Brownlow – 1979 (The Wind) The War, The West and the Wilderness By Kevin Brownlow – 1979 Alfred A. Knopf – New York Manufactured in the United States of America – First Edition THE WIND The wretched conditions of sand, wind, and drought that characterized the Sundown location were brilliantly evoked in bleak, Scandinavian style by Victor Seastrom in MGM’s The Wind (1927, released 1928). Although more of a psychological than a realistic study, and more impressionistic than documentary in its treatment, The Wind is filled with remarkably expressive detail. For an utterly unromantic view of life on the desert, this film is unequaled. The Wind – Lillian Gish (Letty Mason) Lillian Gish plays a delicate Virginia girl who comes to live with her cousin and finds the life intolerable. The wind howls symbolically around the tiny shack, until nerve ends are stretched to the breaking point. Even the children, usually a sentimental high point of a