Nickolas Murray - Lillian Gish in 1922

Nickolas Murray - Lillian Gish in 1922


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Silent Cinema – By Joel W. Finler (1997)

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  Silent Cinema – By Joel W. Finler (1997) Silent Cinema – World cinema before the coming of sound By Joel W. Finler First published in Great Britain 1997 © Joel W. Finler 1997 You will see that this little clicking contraption with the revolving handle will make a revolution in our life – in the life of writers… (But) the films! They are wonderful! Drr! and a scene is ready! Drr! and we have another! We have the sea, the coast, the city, the palace… (Leo Tolstoy, interviewed in 1908) By close-ups of the things around us, by focusing on the hidden details of familiar objects, by exploring commonplace milieus under the ingenious guidance of the camera, the film, on the one hand, extends our comprehension of the necessities that rule our lives; on the other hand, it manages to assure us of an immense and unexpected field of action. Our taverns and metropolitan streets, our offices and furnished rooms, our railroad stations and our factories appeared to have us locked up hopelessly. T...
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George Jean Nathan and Lillian Gish – by Thomas Quinn Curtiss (1988)

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Documentary Film Classics – By William Rothman (1997)

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