photo of Lillian Gish by Witzel of L. A., signed and inscribed in black ink 1914

photo of Lillian Gish by Witzel of L. A., signed and inscribed in black ink 1914


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Silent Cinema – By Joel W. Finler (1997)

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  Silent Cinema – By Joel W. Finler (1997) Silent Cinema – World cinema before the coming of sound By Joel W. Finler First published in Great Britain 1997 © Joel W. Finler 1997 You will see that this little clicking contraption with the revolving handle will make a revolution in our life – in the life of writers… (But) the films! They are wonderful! Drr! and a scene is ready! Drr! and we have another! We have the sea, the coast, the city, the palace… (Leo Tolstoy, interviewed in 1908) By close-ups of the things around us, by focusing on the hidden details of familiar objects, by exploring commonplace milieus under the ingenious guidance of the camera, the film, on the one hand, extends our comprehension of the necessities that rule our lives; on the other hand, it manages to assure us of an immense and unexpected field of action. Our taverns and metropolitan streets, our offices and furnished rooms, our railroad stations and our factories appeared to have us locked up hopelessly. T...
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George Jean Nathan and Lillian Gish – by Thomas Quinn Curtiss (1988)

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  George Jean Nathan and Lillian Gish – by Thomas Quinn Curtiss (1988) An Applause Original THE SMART SET: George Jean Nathan & H.L.Mencken by Thomas Quinn Curtiss Copyright © 1998 by Thomas Quinn Curtiss Nathan had been denouncing the movies as a menace to the arts for many years, but the screen appearance of Miss Gish bewitched him. A year earlier he had published a rapturous essay about her in Vanity Fair, attempting to explain the spell her celluloid image cast. That she is one of the few real actresses that the films have brought forth, either here or abroad, is pretty well agreed upon by the majority of critics. But it seems to me that, though the fact is taken for granted, the reasons for her eminence have in but small and misty part been set down in print. Lillian Gish and George Jean Nathan — Chateau Du Plessis France “The girl is superior to her medium, pathetically so. Her genius lies in making the definite charmingly indefinite. Her technique consists in thinking ou...
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Documentary Film Classics – By William Rothman (1997)

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