The Wind and Young Love – Time – The Weekly Newsmagazine (1928)
The Wind and Young Love – Time – The Weekly Newsmagazine (1928)
Time 1928-11-12: Vol 12 Iss 20
Time – The Weekly Newsmagazine Volume XII No. 20 November 12, 1928
-blows without stopping all year long across the bleak pocket of the prairie to which Lillian Gish comes in her first picture in a year and a half. Her cousin’s wife, a prairie woman whose hands are almost always bloody from cutting up steers, is jealous of the influence of the visiting Gish girl over her home, her husband, her tough, irritable children. When the girl is forced to marry a cattle-rustler to get away from her cousin’s house, a drama, familiar in its conflicts but brooding, powerful, works up in the clapboard house battered by sand and by the wind which, according to Indian legend, is a ghost horse gone crazy in the sky.
Not a work of genius but far better than the average movie story, this picture gives Miss Gish the best and in fact the only opportunity she has had since Way Down East for exercising the talent which has made her famous. Lillian Gish and David Wark Griffith met in Mary Pickford’s dressing-room in the old Biograph studio. Lillian Gish had left Massillon, Ohio, to go on the stage with her sister Dorothy. As a fairy in The Good Little Devil she was lifted across the stage by a wire which broke one night and dropped her on the floor. She burst into tears, later rewarded with a salary which gave each trembling drop the literal value of a pearl. Griffith made her an old woman—the pinchfaced mother in Judith of Bethulia, Intolerance; he made her an outcast girl in Way Down East, Colonel Cameron’s sweetheart in Birth of Nation. She went with him from Biograph to Reliance, Majestic, Fine Arts, Artcraft, First National, United Artists. Somehow, no matter how bad the scenario was, her intelligence brought to certain moments and situations that reality which is the definition of great acting and which Miss Gish’s famous frailty, her dimples, her soft, elliptical face, and her pale hair down to her waist could not keep people from recognizing. Now under contract to Metro- Goldwyn-Mayer, she is directed by Victor Seastrom.
Dorothy Gish, the third name inscribed with that of Lillian, of Griffith, in the heart of the U. S. public was not the little girl who jumped over a cliff in Birth of a Nation. Many cinema fans, their memories bemused by thousands of flickering faces, have lost dollar bets on that fact. The girl who jumped over the cliff was Mae Marsh. Other bets have concerned the sisters’ ages. Lillian is 32. Dorothy is 30. Just as pretty as Lillian (5 ft. 4 in. tall, red-blonde hair), cleverer perhaps, certainly shrewder, Dorothy wanted romance to be concrete, loved while Lillian acted, married (James Rennie, dark-haired “legit” actor) while Lillian stayed single. In the many pictures in which the sisters have appeared together, Dorothy’s acting, always accurate, lacked the indefinable distinction of Lillian’s. Since leaving pictures in 1922 she has wanted to return to a medium where she could have the advantage of voice. Last week (see below) she appeared in Manhattan in “legit” drama.
New Plays in Manhattan
She was the little girl | who got wet in Orphans of the Storm and wore an arresting white dress in Nell Gwyn. That has nothing to do with a play called Young Love which opened in Manhattan last week, except that Dorothy Gish, 30, is back on the stage playing opposite her husband, James Rennie, and Lillian Gish is still in the movies and still unmarried (see p. 44). Dorothy Gish is cast in Young Love as a tempestuous and idealistic latter-day maiden striving to assure marital congeniality by pre-nuptial experiment. In the first few lines, she and her fiancé ex-press satisfaction with last night’s trial. To make it doubly sure, they exchange partners with their unconsulted host and hostess. Miss Gish completes an affair with host, but fiancé quails before hostess. Then follow two acts of confessions, recriminations, door-slammings, to end with four-way felicity the way it should be (according to the movies). Despite such items as “I love him!” “Then that’s a very good reason not to marry him,” despite Miss Gish’s grotesque make-up and quaintly haphazard clothes, Young Love is adequate entertainment.
Gish and Davis: Could the Two Work Together? – By Mike Kaplan (The New York Times – 1993) FILM; Gish and Davis: Could the Two Work Together? By Mike Kaplan The New York Times – April 18, 1993 When “The Whales of August” was filmed in 1986, the story of the relationship between two elderly sisters brought together two of the screen’s most enduring stars, Lillian Gish and Bette Davis. Miss Gish, who died Feb. 27 at the age of 99, will be remembered on Thursday at the Museum of Modern Art with a program called “In Memoriam.” It will include “The Whales of August,” her final film, directed by Lindsay Anderson, as well as her first, D. W. Griffith’s “Unseen Enemy” (1912). Here, Mike Kaplan, who co-produced “The Whales of August,” reflects on the interaction of its two stars. Bette Davis and Lillian Gish – The Whales of August, 1987 In the tributes to Lillian Gish that followed her death, references to her final starring role in “The Whales of August” were always glowing. B
The Movie Magazines and Lillian Gish … The moving Picture World 1914 detail The moving Picture World 1914 The moving Picture World 1914 detail Moving Picture World, November 21, 1914 Her Awakening – Lillian Gish The Angel of Contention Poster The moving Picture World – Mutual Program – A Question of Courage names wrong Lillian Gish And Dorothy The moving Picture World – Mutual Program – The Sisters The Birth of a Nation (David W. Griffith Corp., 1915). Herald2 Sold for Marriage Triangle Plays Program 1916 lillian_gish_photoplay_1917 08 ID Photo Back to Lillian Gish Home page Photoplay, August, 1918 – Dorothy and Lillian Gish in their dressing room Lillian Gish Photoplay August 1918 Lillian Gish Photoplay February 1919 Lillian Gish Photoplay, July, 1919 Back to Lillian Gish Home page Lillian Gish Photoplay October 1920 Orphans of The Storm Prog Herald 1921 Lillian Gish 1921 – The Girl Back Home Motion Picture Classic Magazine (Brewster, 1921) The Lily Maid from Ohio Ph
The War, the West, and the Wilderness – By Kevin Brownlow – 1979 (The Wind) The War, The West and the Wilderness By Kevin Brownlow – 1979 Alfred A. Knopf – New York Manufactured in the United States of America – First Edition THE WIND The wretched conditions of sand, wind, and drought that characterized the Sundown location were brilliantly evoked in bleak, Scandinavian style by Victor Seastrom in MGM’s The Wind (1927, released 1928). Although more of a psychological than a realistic study, and more impressionistic than documentary in its treatment, The Wind is filled with remarkably expressive detail. For an utterly unromantic view of life on the desert, this film is unequaled. The Wind – Lillian Gish (Letty Mason) Lillian Gish plays a delicate Virginia girl who comes to live with her cousin and finds the life intolerable. The wind howls symbolically around the tiny shack, until nerve ends are stretched to the breaking point. Even the children, usually a sentimental high point of a