Souls Triumphant (1917)

Souls Triumphant (1917)

Director: John B. O’Brien
Writers: Mary H. O’Connor (screenplay), Mary H. O’Connor (story “The Little Savior”) Stars: Lillian Gish, Wilfred Lucas, Spottiswoode Aitken Considered to be a lost film. Runtime 50 min (USA) Sound Mix Silent Color Black and White Aspect Ratio 1.33 : 1 Film Length (5 reels) Negative Format 35 mm Cinematographic Process Spherical Printed Film Format 35 mm Lillian Gish as Lillian Vale Wilfred Lucas as Robert Powers Spottiswoode Aitken as Josiah Vale Louise Hamilton as Hattie Lee Kate Bruce Jennie Lee

Motion Picture Magazine – August 1917

“Souls Triumphant” (Triangle-Fine Arts). An excellent story. A rich city rogue falls deeply in love with a country minister’s daughter. On the eve of their wedding the fast woman whom he had broken off with, entices him to a farewell gayety. The girl learns of her fiance’s defection, but her love is strong enough to forgive. A happy married life ensues for three years. Then the woman finding herself without resources pursues the husband again. On the evening that the adventuress arrives in their town, the wife is called to her dying father’s bedside and is compelled to leave their small son in the father’s care. Thinking the boy is safe, sleeping, the father goes to meet the woman. On his return home he finds his house burnt to the ground and no trace of the sleeping child. He seeks his wife who is again enabled to forgive him. Then their child comes running in. It seems the wife had seen the woman and surmising her reason for being there had returned and taken the lad with her. There is an excellent use of suspense.
Lillian Gish and Wilfred Lucas prove themselves indeed emotional artists. Louise Hamilton as the other woman gives a very poor impression of her ability as a photoplayer.
Motion Picture Magazine – August 1917

Back to Lillian Gish Home page

Comments

Post a Comment

Popular posts from this blog

D.W. Griffith – An American Life (By Richard Schickel – 1984)

Image
D.W. Griffith – An American Life (By Richard Schickel – 1984) D.W. Griffith – An American Life By Richard Schickel – 1984 Griffith! Before him, the movies were a nickelodeon novelty, after him, they were an international art form and a powerful, glamorous American industry He was the first to codify the rules and techniques of screen storytelling, the first to establish the conventions by which the unique capacities of the movies for both sweeping spectacle and profound intimacy could be employed in long, complex narratives, the first to assert the director’s claim to primary authorship of a film Above all, it was Griffith who imagined the future of his medium, and with his driving energy, his taste for the grandiose and his flair for publicity, propelled that medium toward that future—only to be crushed by the very forces he had unleashed. D.w. Griffith (1875-1948) Painting; D.w. Griffith (1875-1948) Art Print for sale His story is, in huge measure, the story of how the ...
Read more

Lillian Gish and Jeanne Moreau – Vanity Fair 1983

Image
Lillian Gish and Jeanne Moreau – Vanity Fair 1983 Vanity Fair – October 1983 Lillian Gish Jeanne Moreau This is a summit meeting: a queen paying homage to an empress. Of course, Lillian Gish, far right, is no truer a blueblood than any other homespun midwesterner. But wherever she goes now, she is treated like a monarch, acknowledging standing ovations in allAmerican palaces like Radio City Music Hall. Her admirers aren’t really applauding her 101 films (she has just completed the 102nd, about a sweet old lady and her sweet old dog). They may never have seen her slim but supernally intense performances in the D. W. Griffith masterpieces or in the Victor Sjostrom classics she made in the late ’20s at MGM. Lillian-Gish-Jeanne-Moreau 60s But they sense in her the grace, the purity, the wealth of symbolism that royalty sustains. Gish’s companion here, Jeanne Moreau, radiates a similar authority; what Gish was to the cinema of the ’20s, Moreau was to the cinema of the ’60s. ...
Read more

LEADING LADIES – 1976 (Electa Clark) PDF Download

Image
  LEADING LADIES – 1976 (Electa Clark) PDF Download “Humanity marches on into the new and glorious 20th century!” exults a daily paper in its first issue of 1901. “Come, oh century, child of hope!” begins a long poem on page one. Another column trills, “We are 20th century women … with the dower of privilege and responsibility which enriches women in this wonderful era!” Lillian Gish had a similar effect on millions who saw her in the movies. She was not only talented, she had a unique quality: pure, ethereal, elusive. As if she acted in whispers. As if in her hands, the definite blurred into the indefinite. It was drama critic George Jean Nathan who described her as being “behind a veil of silver chiffon.” He courted Lillian for years, but she eluded marriage. Horse drawn float declares National American Woman Suffrage Association’s support for Bristow-Mondell amendment 1920s Lillian Gish Actress ‘La Boheme’ Oversized DBW Photo by Kenneth Alexander Leading ladies an affectionate l...
Read more