Weeps at Own Play – 1919 (Los Angeles Herald)
Weeps at Own Play – 1919 (Los Angeles Herald)
Los Angeles Herald, Volume XLIV, Number 290, 6 October 1919
WEEPS AT OWN PLAY
(Broken Blossoms)
Lillian Gish has been the heroine in many Griffith pictures, but no other film in which she has appeared hits made so deep an impression upon her as “Broken Blossoms,” which is now being presented at Clune’s auditorium. She saw the photoplay on the opening night in New York, she saw it in San Francisco and in other cities, and now that it is being presented in Los Angeles she is seeing it at every opportunity.
And, it is said, she weeps softly every time she sees it. Critics throughout the country have declared that the work Miss Gish does in this picture has placed her in the forefront of modern tragediennes, and one enthusiastic reviewer coupled her name with that of Bernhardt. But it is not to see Lillian Gish, the actress, that Miss Gish so often visits Clune’s Auditorium to sit alone and watch the tragic tale as it is unfolded on the screen. It is the story that Griffith has moulded that enthralls her.
It is so natural, so artistic, that it has almost become part of her life. “’Broken Blossoms’ is by far the most wonderful thing we have done,” said Miss Gish. ‘‘lt is my pet picture. Some people say it is 100 true to life. Only a few nights ago as I sat in the theater, a woman said to the man seated beside her, ‘I won’t look at it, I can’t. I want to go home.’ But he was apparently wrapped up in the play and kept saying to her ‘Shut your eyes, then, if you don’t want to see it. I won’t go home. It is wonderful’.“ I like stories that reflect life. That is why I love ‘Broken Blossoms.’ Because it is real, ‘Broken Blossoms’ should be seen at least twice by every one.
I think pictures, books and people should be met twice. We never discover all of any person at one meeting; why should we only read a book through once or see a picture once. “People are not usually honest at the first meeting. They are likely to be excited or not at ease, and we don’t get truthful impressions. The same is true about especially such a picture as ‘Broken Blossoms.’ ” (Miss Lillian Gish)
Above: The Closet Scene – “Broken Blossoms”
Los Angeles Herald, 6 October 1919
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