The Clansman is coming to Local Theater – 1916

The Clansman is coming to Local Theater – 1916

Morning Union, 8 January 1916

The Clansman is coming to Local Theater shortly

*** The Clansman also known as “The Birth of a Nation”
The Auditorium management this morning make the important announcement that three complete performances of “The Clansman” will be given in this city Sunday and Monday, January 23rd and 24th, opening with a matinee Sunday afternoon at 2 o’clock. The second show will be given Sunday night and the third Monday night. The prices will be 25 cents for children, 50 cents for adults and 75 cents for reserved seats. Special music and singing is a part of the attraction.
The Birth of a Nation 1915 3
This production of twelve reels was directed by D. W. Griffith, the world’s foremost motion picture producer. It is an adaptation from Thomas Dixon, Jr’s popular novel of the same name, and is the costliest motion picture ever produced. “The Clansman” deals with the Civil War period. It shows the causes that led up to this conflict land carries Die spectator through the war. In “The Clansman’’ are shown the most marvelous battle scenes that have ever been staged. The siege before Petersburg with thousands of soldiers in action, is realistically shown in Die picture. The battle fields were laid out and trenches dug under the direct supervision of seven G. A. R. army veterans who took part in the original conflict.
The Birth of a Nation - Massive troop movements wide shot D. W. Griffith, American film master
The Birth of a Nation – Massive troop movements wide shot
These veterans, two of whom were commissioned officers, remained with Mr. Griffith during the entire period that the Scenes were being – staged. Artillery duels, in which explosive shells are hurled by both the Northern and Southern troops, from huge mortars, are shown in motion pictures for Die first time in “The Clansman.’’ The artillery used is Die same that was used during the Civil War and borrowed from the U. S. government tor the occasion. The explosive blank shells used in the mortars were constructed especially for these big guns by an expert fire-works manufacturer. More than 500 of these shells are used in the battle scenes. They cost thousands of dollars. In directing the battle scenes, Mr. Griffith used field telephones, flag signals, field couriers and even a captive balloon.
original-souvenir-birth-of-a-nation-1915
These methods were not used as part of the army equipment, but were merely used by Mr. Griffith in staging the production. He used the modern war methods to better execute the methods of 1861 -65. The artillery duels present one of Die most striking features of the picture: “The Clansman” describes the organization and motives of the famous Ku Klux Klan, and shows more than 2000 of these white-hooded riders in their raids on the negroes. Gen. Sherman’s historical march to the sea, together with the burning of the entire city of Atlanta, is shown in the picture. The burning of Atlanta is shown at night. The entire city with its countless number of buildings and dwellings is shown in the destruction.
lillian gish - nacimiento-de-una-nación - the birth of a nation
A terrific battle between Ku Klux riders and negro troops, provides another thrilling feature. The assassination of President Lincoln by Wilkes Booth, is shown for the first time in the history of motion pictures. The final scenes of “The clansman” provide the most powerful sermons that could possibly be preached against the horrors of war. “The Clansman” is presented by an all-star cast including Henry Walthall, Mae Marsh, Miriam Cooper, Josephine Crowell, Spottiswoode Ailken, Balph Lewis, Lillian Gish, Elmer Clifton, Robert Harron, George Seigmann, Walter Long. Mary Alden, Joseph Hennebery, Sam de Grasse, Howard Gave, Donald Crisp, Win. De Vaull, and Jennie Lee.
  • Grass Valley Department – 1916
  • Morning Union, 8 January 1916
Morning Union, 8 January 1916 Birth of a Nation
Morning Union, 8 January 1916 Birth of a Nation

Back to Lillian Gish Home page

d.w. griffith and robert harron taking a lunch break during the filming of the birth of a nation

Back to Lillian Gish Home page

Comments

Popular posts from this blog

Lillian Gish and Jeanne Moreau – Vanity Fair 1983

D.W. Griffith – An American Life (By Richard Schickel – 1984)

ART DECO FASHION – by Suzanne Lussier (2003)