America First Rally Today To Hear Talk By Miss Lillian Gish
Miss Lillian Gish, stage and screen star, and Gen. Thomas S. Hammond, former head of the Illinois National Guard, will address an antiwar luncheon rally today at 1 p.m. in the Grand ballroom of the Hotel Sherman. The rally is sponsored by the first Chicago chapter of the America First committee.
Both Miss Gish and Gen. Hammond advocated the entry of the United States into war in 1917, but are now convinced that the participation in the present European conflict would bring dictatorship and financial collapse.
Miss Gish, who starred in British propaganda films which helped to draw the United States into the first world war, will describe propaganda technique again being used by the British and American governments. Gen. Hammond, chairman of the Illinois America First committee, will discuss the economic peril to America if the nation goes to war.
Mrs. Janet Ayer Fairbank, national vice chairman of the America First committee will preside. All the 55 state chapters are expected to send representatives to the luncheon.
Miss Gish’s Argument
“Why not bring freedom of speech and religion, freedom from fear and want, to our own land before we set out to bring them to other lands by letting the people of the United States, who will have to pay, decide by vote on the issue of war?” Miss Gish asked. “If there is any foresight or justice in Washington, the question will be put to a vote.
“In 1936 I voted for Mr. Roosevelt. I didn’t vote in the last election, however, because I felt that both candidates were more interested in other countries than their own. We won the last war, but what did we get out of it? Three hundred forty-six thousand dead and wounded, an over-all cost of 45 billion, prohibition with its attendant hypocrisy, lawlessness, gangsters, ten thousand bank failures and a depression from which we have not yet recovered.
“Now is a good time for us to recall George Washington’s words – that the nation which holds toward another an habitual hatred or an habitual fondness is in some degree a slave – a slave to its animosity or its affection, either of which is sufficient to lead it astray from its duty and its interests.”
Gish and Davis: Could the Two Work Together? – By Mike Kaplan (The New York Times – 1993) FILM; Gish and Davis: Could the Two Work Together? By Mike Kaplan The New York Times – April 18, 1993 When “The Whales of August” was filmed in 1986, the story of the relationship between two elderly sisters brought together two of the screen’s most enduring stars, Lillian Gish and Bette Davis. Miss Gish, who died Feb. 27 at the age of 99, will be remembered on Thursday at the Museum of Modern Art with a program called “In Memoriam.” It will include “The Whales of August,” her final film, directed by Lindsay Anderson, as well as her first, D. W. Griffith’s “Unseen Enemy” (1912). Here, Mike Kaplan, who co-produced “The Whales of August,” reflects on the interaction of its two stars. Bette Davis and Lillian Gish – The Whales of August, 1987 In the tributes to Lillian Gish that followed her death, references to her final starring role in “The Whales of August” were always glowing. B
The Movie Magazines and Lillian Gish … The moving Picture World 1914 detail The moving Picture World 1914 The moving Picture World 1914 detail Moving Picture World, November 21, 1914 Her Awakening – Lillian Gish The Angel of Contention Poster The moving Picture World – Mutual Program – A Question of Courage names wrong Lillian Gish And Dorothy The moving Picture World – Mutual Program – The Sisters The Birth of a Nation (David W. Griffith Corp., 1915). Herald2 Sold for Marriage Triangle Plays Program 1916 lillian_gish_photoplay_1917 08 ID Photo Back to Lillian Gish Home page Photoplay, August, 1918 – Dorothy and Lillian Gish in their dressing room Lillian Gish Photoplay August 1918 Lillian Gish Photoplay February 1919 Lillian Gish Photoplay, July, 1919 Back to Lillian Gish Home page Lillian Gish Photoplay October 1920 Orphans of The Storm Prog Herald 1921 Lillian Gish 1921 – The Girl Back Home Motion Picture Classic Magazine (Brewster, 1921) The Lily Maid from Ohio Ph
When Mamaroneck Upstaged Hollywood – By Bruce Berman (The New York Times – June 19, 1977) When Mamaroneck Upstaged Hollywood By Bruce Berman The New York Times – June 19, 1977 BACK in the early 1920’s when Mamaroneck was a center of movie‐making, Joseph Rigano was an employee of D.W. Grif fith’s studio at Orienta. “I was atone mason and mechanic,” the energetic 80year‐old said as we toured on foot Edgewater Point, at the top of the Orienta Peninsula. Griffith Studios, Orienta Point, Mamaroneck NY 1921 “After the studio was finally built, Mr. Griffith asked me to stay on as a set builder. Stone fireplaces were my specialty, but I worked on everything from Gothic walls to painted desert backdrops. The actors were almost always friendly, and I was getting $55 a week and drove a $1,200 Buick. What more could a young man desire?” DW Griffith filming team – Mamaroneck NY – Way Down East In those days the area was less the “East Coast Hollywood” than Hollywood was “the West Co