Jam Courtroom to Get Glimpse of Lillian Gish

 

Jam Courtroom to Get Glimpse of Lillian Gish

Chicago Tribune – Saturday, March 28, 1925 – Page 3

Jam Courtroom to Get Glimpse of Lillian Gish

New York, March 27 – [Special] – In the hop of seeing Lillian Gish on the witness stand in the suit brought by Charles H. Duell to prevent her acting for other companies, admirers of the film star flocked in such numbers to the courtroom in the Woolworth building, that the corridor and the courtroom had to be cleared.

Miss Gish sat unperturbed through all the craning of necks in the back of the room. Her face was white. She showed no signs of nervousness, but it was evident that she did not look forward with pleasure to her appearance on the witness stand.

Lillian Gish and her lawyer Max Steuer – the Duell trial in 1925

The crowd, however, was disappointed in its hope of seeing Miss Gish on the witness stand. Hammond Duell, counsel for his brother, did not call the screen actress. The situation had changed and he said he might not want to question Miss Gish before Tuesday.

J. Boyce Sraith, who was secretary of Inspiration Pictures when Charles H. Duell was president and Miss Gish was one of the stars, remained on the stand for most of the day. He was succeeded by Miss Blanche C. Brigham, secretary to Mr. Duell. After Miss Brigham had identified correspondence between Duell and counsel for Miss Gish, court was adjourned until Monday morning.

Wins Suit

Los Angeles California, April 24 – (AP) – Lillian Gish, screen actress, won the $5,000,000 breach of contract suit brought against her by Charles Duell, producer, today. A jury verdict for the defendant in the trial was returned when the court instructed that such a verdict be given on the grounds that all the issues of the case previously had been adjudicated in the federal court of New York.

Back to Lillian Gish Home page

Comments

Post a Comment

Popular posts from this blog

D.W. Griffith – An American Life (By Richard Schickel – 1984)

Image
D.W. Griffith – An American Life (By Richard Schickel – 1984) D.W. Griffith – An American Life By Richard Schickel – 1984 Griffith! Before him, the movies were a nickelodeon novelty, after him, they were an international art form and a powerful, glamorous American industry He was the first to codify the rules and techniques of screen storytelling, the first to establish the conventions by which the unique capacities of the movies for both sweeping spectacle and profound intimacy could be employed in long, complex narratives, the first to assert the director’s claim to primary authorship of a film Above all, it was Griffith who imagined the future of his medium, and with his driving energy, his taste for the grandiose and his flair for publicity, propelled that medium toward that future—only to be crushed by the very forces he had unleashed. D.w. Griffith (1875-1948) Painting; D.w. Griffith (1875-1948) Art Print for sale His story is, in huge measure, the story of how the ...
Read more

Lillian Gish and Jeanne Moreau – Vanity Fair 1983

Image
Lillian Gish and Jeanne Moreau – Vanity Fair 1983 Vanity Fair – October 1983 Lillian Gish Jeanne Moreau This is a summit meeting: a queen paying homage to an empress. Of course, Lillian Gish, far right, is no truer a blueblood than any other homespun midwesterner. But wherever she goes now, she is treated like a monarch, acknowledging standing ovations in allAmerican palaces like Radio City Music Hall. Her admirers aren’t really applauding her 101 films (she has just completed the 102nd, about a sweet old lady and her sweet old dog). They may never have seen her slim but supernally intense performances in the D. W. Griffith masterpieces or in the Victor Sjostrom classics she made in the late ’20s at MGM. Lillian-Gish-Jeanne-Moreau 60s But they sense in her the grace, the purity, the wealth of symbolism that royalty sustains. Gish’s companion here, Jeanne Moreau, radiates a similar authority; what Gish was to the cinema of the ’20s, Moreau was to the cinema of the ’60s. ...
Read more

LEADING LADIES – 1976 (Electa Clark) PDF Download

Image
  LEADING LADIES – 1976 (Electa Clark) PDF Download “Humanity marches on into the new and glorious 20th century!” exults a daily paper in its first issue of 1901. “Come, oh century, child of hope!” begins a long poem on page one. Another column trills, “We are 20th century women … with the dower of privilege and responsibility which enriches women in this wonderful era!” Lillian Gish had a similar effect on millions who saw her in the movies. She was not only talented, she had a unique quality: pure, ethereal, elusive. As if she acted in whispers. As if in her hands, the definite blurred into the indefinite. It was drama critic George Jean Nathan who described her as being “behind a veil of silver chiffon.” He courted Lillian for years, but she eluded marriage. Horse drawn float declares National American Woman Suffrage Association’s support for Bristow-Mondell amendment 1920s Lillian Gish Actress ‘La Boheme’ Oversized DBW Photo by Kenneth Alexander Leading ladies an affectionate l...
Read more