Gish got her start on stage, in a 1902 road melodrama in the Midwest, but it was in 1912 that she made her first short film for David Wark (D.W.) Griffith, to whom she was introduced by girlhood friend Gladys Smith, soon to become Mary Pickford. Work in silent and later talking pictures consumed Gish’s energies for nearly 20 years of her early career, and when she returned to film in 1943 from a long stage interlude, she never again abandoned the screen. Gish made her acting debut, as Baby Lillian, with Huston in ‘The Convict’s Stripes’ in a barn-turned-theater in Rising Sun, Ohio. She was 5 at the time and the daughter of a struggling actress. You can safely say that about stage players, for their performances survive only in the memory. But Lillian Gish’s performances exist in films that have been subjected to scrutiny again and again. The verdict is always the same: Lillian Gish is astonishing.
D.W. Griffith – An American Life (By Richard Schickel – 1984) D.W. Griffith – An American Life By Richard Schickel – 1984 Griffith! Before him, the movies were a nickelodeon novelty, after him, they were an international art form and a powerful, glamorous American industry He was the first to codify the rules and techniques of screen storytelling, the first to establish the conventions by which the unique capacities of the movies for both sweeping spectacle and profound intimacy could be employed in long, complex narratives, the first to assert the director’s claim to primary authorship of a film Above all, it was Griffith who imagined the future of his medium, and with his driving energy, his taste for the grandiose and his flair for publicity, propelled that medium toward that future—only to be crushed by the very forces he had unleashed. D.w. Griffith (1875-1948) Painting; D.w. Griffith (1875-1948) Art Print for sale His story is, in huge measure, the story of how the ...
THE DANCE: MET OPERA GALA By ANNA KISSELGOFF MAY 14, 1984 The New York Times Archive – Time Machine MOST people will tell you a centennial comes along only every hundred years. But if you’re the Metropolitan Opera, you celebrate your hundredth birthday twice. And last night as a followup to October’s big centennial anniversary gala for itself with, naturally, opera singers, the Metropolitan Opera staged an equally stellar gala with some of the biggest names in international dance. Entitled ”Celebration!,” the gala performance commemorating 100 years of performing arts at the Metropolitan Opera reminded us that the Metropolitan had never been exclusively in the singing business. True – there were singers like Yves Montand, John Denver, Lionel Richie and even Placido Domingo, a pop star if there ever was one, to recall that popular entertainers as well as dancers had not only appeared but also been presented or toured by the Metropolitan. But the tr...
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