Et la femme créa Hollywood (2016) Entire Documentary
Et la femme créa Hollywood (2016) Entire Documentary
Et la femme créa Hollywood (2016)
Very few people know that Hollywood was largely dominated by women as filmmakers in the 1910s and 20s, there were more women producers and directors in powerful positions before 1920 than at any other time in the motion picture history. Their names were Lois Weber, Mary Pickford, Frances Marion, Alice Guy Blaché, Dorothy Arzner etc … Before the Big Crash women were creatively working in Hollywood at all levels. Unbelievable as it may seem, it took until 2010 for a woman – Kathryn Bigelow – to receive an Oscar for Best Director! Casting in the documentary includes the most successful women to date, Paula Wagner, producer and business partner of Tom Cruise, Robin Swicord, screenwriter and Lynda Obst, producer of, amongst others, Sleepless in Seattle, Contact and Flashdance. And Lillian Gish and Sherry Lansing (archives)
American actress Lillian Gish (1893-1993) makes her only foray into directing with Remodeling Her Husband. In an “all-woman” production, Gish co-writes the screenplay with her sister Dorothy, who also stars, and recruits the American writer Dorothy Parker to write the intertitles.
In 1919 Lillian Gish was one of Hollywood’s most respected performers and D. W. Griffith’s favorite actress. That year, confident that her knowledge of the movies was equal to his own, Griffith asked her to direct a movie starring her sister Dorothy for Paramount. Convinced that women had already proven to be proficient directors, Gish happily accepted the offer. Griffith gave her a $50,000 budget and total liberty in the production. He also asked, however, that she supervise the conversion of a recently acquired Long Island estate into a studio, which was far from properly equipped for film production. It proved to be an enormous task, but she completed both it and the film successfully.
The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.
Gish and Davis: Could the Two Work Together? – By Mike Kaplan (The New York Times – 1993) FILM; Gish and Davis: Could the Two Work Together? By Mike Kaplan The New York Times – April 18, 1993 When “The Whales of August” was filmed in 1986, the story of the relationship between two elderly sisters brought together two of the screen’s most enduring stars, Lillian Gish and Bette Davis. Miss Gish, who died Feb. 27 at the age of 99, will be remembered on Thursday at the Museum of Modern Art with a program called “In Memoriam.” It will include “The Whales of August,” her final film, directed by Lindsay Anderson, as well as her first, D. W. Griffith’s “Unseen Enemy” (1912). Here, Mike Kaplan, who co-produced “The Whales of August,” reflects on the interaction of its two stars. Bette Davis and Lillian Gish – The Whales of August, 1987 In the tributes to Lillian Gish that followed her death, references to her final starring role in “The Whales of August” were always glowing. B
The Movie Magazines and Lillian Gish … The moving Picture World 1914 detail The moving Picture World 1914 The moving Picture World 1914 detail Moving Picture World, November 21, 1914 Her Awakening – Lillian Gish The Angel of Contention Poster The moving Picture World – Mutual Program – A Question of Courage names wrong Lillian Gish And Dorothy The moving Picture World – Mutual Program – The Sisters The Birth of a Nation (David W. Griffith Corp., 1915). Herald2 Sold for Marriage Triangle Plays Program 1916 lillian_gish_photoplay_1917 08 ID Photo Back to Lillian Gish Home page Photoplay, August, 1918 – Dorothy and Lillian Gish in their dressing room Lillian Gish Photoplay August 1918 Lillian Gish Photoplay February 1919 Lillian Gish Photoplay, July, 1919 Back to Lillian Gish Home page Lillian Gish Photoplay October 1920 Orphans of The Storm Prog Herald 1921 Lillian Gish 1921 – The Girl Back Home Motion Picture Classic Magazine (Brewster, 1921) The Lily Maid from Ohio Ph
The War, the West, and the Wilderness – By Kevin Brownlow – 1979 (The Wind) The War, The West and the Wilderness By Kevin Brownlow – 1979 Alfred A. Knopf – New York Manufactured in the United States of America – First Edition THE WIND The wretched conditions of sand, wind, and drought that characterized the Sundown location were brilliantly evoked in bleak, Scandinavian style by Victor Seastrom in MGM’s The Wind (1927, released 1928). Although more of a psychological than a realistic study, and more impressionistic than documentary in its treatment, The Wind is filled with remarkably expressive detail. For an utterly unromantic view of life on the desert, this film is unequaled. The Wind – Lillian Gish (Letty Mason) Lillian Gish plays a delicate Virginia girl who comes to live with her cousin and finds the life intolerable. The wind howls symbolically around the tiny shack, until nerve ends are stretched to the breaking point. Even the children, usually a sentimental high point of a