Opened at the 44th Street Theatre, New York, April 4, 1918. 12 reels.
Directed by D. W. Griffith; scenario by M. Gaston de Tolignac, translated into English by Capt. Victor Marier (both pseudonyms for D. W. Griffith); photographed by G. W. Bitzer; technical supervision by Erich Von Stroheim; music arranged by Carli Elinor and Griffith.
The Grandfather – Adolphe Lestina
The Mother – Josephine Crowell
The Girl, Marie Stephenson – Lillian Gish
The Boy, Douglas Gordon Hamilton – Robert Harron
The Father of the Boy – Jack Cosgrave
The Mother of the Boy – Kate Bruce
The Littlest Brother – Ben Alexander
The Boy’s Other Brothers – M. Emmons, F. Marion
The Little Disturber – Dorothy Gish
Monsieur Cuckoo – Robert Anderson
The Village Carpenter – George Fawcett
Von Strohm – George Siegmann
The Innkeeper – Fay Holderness
A Deaf and Blind Musician – L. Lowy
A Poilu – Eugene Pouyet
A French Peasant Girl – Anna Mae Walthall
A Refugee Mile. – Yvette Duvoisin of the Comedie Frangaise, Paris
Not credited on the original programs: Erich Von Stroheim as a Hun in several scenes, and Noel Coward as the Man with the Wheelbarrow and as a Villager in the Streets.
For the most part, Griffith recreated scenes which he witnessed or learned about first hand—Lillian Gish trying to guide her confused grandfather to safety as the village is bombarded; the orphaned children burying their mother’s body in the cellar. The only Americans who joined Griffith for filming in France and England were the two Gish girls and their mother, Robert Harron, George Fawcett, George Seigmann, Ben Alexander and his mother, and Bitzer with several assistants; even Von Stroheim was not hired until the company returned to California. The scenes in which other members of the Griffith company appeared must have been shot on the West Coast, and, though Griffith and Bitzer toured the front lines photographing action scenes, Griffith added stock footage later.
Gish and Davis: Could the Two Work Together? – By Mike Kaplan (The New York Times – 1993) FILM; Gish and Davis: Could the Two Work Together? By Mike Kaplan The New York Times – April 18, 1993 When “The Whales of August” was filmed in 1986, the story of the relationship between two elderly sisters brought together two of the screen’s most enduring stars, Lillian Gish and Bette Davis. Miss Gish, who died Feb. 27 at the age of 99, will be remembered on Thursday at the Museum of Modern Art with a program called “In Memoriam.” It will include “The Whales of August,” her final film, directed by Lindsay Anderson, as well as her first, D. W. Griffith’s “Unseen Enemy” (1912). Here, Mike Kaplan, who co-produced “The Whales of August,” reflects on the interaction of its two stars. Bette Davis and Lillian Gish – The Whales of August, 1987 In the tributes to Lillian Gish that followed her death, references to her final starring role in “The Whales of August” were always glowing. B
The Movie Magazines and Lillian Gish … The moving Picture World 1914 detail The moving Picture World 1914 The moving Picture World 1914 detail Moving Picture World, November 21, 1914 Her Awakening – Lillian Gish The Angel of Contention Poster The moving Picture World – Mutual Program – A Question of Courage names wrong Lillian Gish And Dorothy The moving Picture World – Mutual Program – The Sisters The Birth of a Nation (David W. Griffith Corp., 1915). Herald2 Sold for Marriage Triangle Plays Program 1916 lillian_gish_photoplay_1917 08 ID Photo Back to Lillian Gish Home page Photoplay, August, 1918 – Dorothy and Lillian Gish in their dressing room Lillian Gish Photoplay August 1918 Lillian Gish Photoplay February 1919 Lillian Gish Photoplay, July, 1919 Back to Lillian Gish Home page Lillian Gish Photoplay October 1920 Orphans of The Storm Prog Herald 1921 Lillian Gish 1921 – The Girl Back Home Motion Picture Classic Magazine (Brewster, 1921) The Lily Maid from Ohio Ph
The War, the West, and the Wilderness – By Kevin Brownlow – 1979 (The Wind) The War, The West and the Wilderness By Kevin Brownlow – 1979 Alfred A. Knopf – New York Manufactured in the United States of America – First Edition THE WIND The wretched conditions of sand, wind, and drought that characterized the Sundown location were brilliantly evoked in bleak, Scandinavian style by Victor Seastrom in MGM’s The Wind (1927, released 1928). Although more of a psychological than a realistic study, and more impressionistic than documentary in its treatment, The Wind is filled with remarkably expressive detail. For an utterly unromantic view of life on the desert, this film is unequaled. The Wind – Lillian Gish (Letty Mason) Lillian Gish plays a delicate Virginia girl who comes to live with her cousin and finds the life intolerable. The wind howls symbolically around the tiny shack, until nerve ends are stretched to the breaking point. Even the children, usually a sentimental high point of a