October 10, 1942, Article by Herb Sterne Originally appearing in a 1942 issue of SCRIPT MAGAZINE was this decidedly “pro” Lilian Gish (1893 – 1993) article concerning the silent film actress and her meteoric rise under the direction of D.W. Griffith, and her much appreciated march on Broadway.
Laura
Gilpin (1891-1979); [Camille–Gish, Lillian] [Central City, Colorado];
1932; Gelatin silver print; Amon Carter Museum of American Art, Ft
Worth, Texas; Bequest of the Artist; P1979.140.157“Lilian Gish is
the damozel of Arthurian legend, tendered in terms of the
Pre-Raphaelite Brotherhood. Her heroines perpetually hover in filtered
half-lights, linger in attitudes of romantical despair. They forever
drift farther from reality than the dream, and no matter how humble
their actual origins, the actress invariably weaves them of the
dusk-blues, the dawn-golds of medieval tapestries.” Lillian Gish autographed – 1920s
Elaine The Lilly Maid Dreaming of Astolat … Lillian Gish – Way Down East
“Orphans of the Storm” – Chicago Tribune (1922) Chicago Tribune – Monday February 6, 1922 – Page 4 Have You Ever Read Anything Like This? “Orphans of the Storm” is the greatest dramatic enactment the world has ever known since the living contests in the Roman amphitheater.” – Says Amy Leslie. “It is Griffith’s largest achievement – a play of plaintive beauty set like a pearl with the volcanoes of the earth’s heart torn open. The refreshing youth of the Gish girls and Shildkraut come nearer the great truth of drama than celebrities of another era. Its beauty is a continual feast, and its amassment of armies, mobs and gigantic maneuvers plunge into imagination with drawn swords of conviction and verity.” Amy Leslie, News. “It equals ‘The Birth of a Nation.’ Work of this sort causes some of us who we are, perhaps, too prone to turn up our noses at this eight art to pause and reflect. The mad gallop equals in every particular the ride of the Klansmen in the ‘Birth of a Nation,’ and, ...
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