October 10, 1942, Article by Herb Sterne Originally appearing in a 1942 issue of SCRIPT MAGAZINE was this decidedly “pro” Lilian Gish (1893 – 1993) article concerning the silent film actress and her meteoric rise under the direction of D.W. Griffith, and her much appreciated march on Broadway.
Laura
Gilpin (1891-1979); [Camille–Gish, Lillian] [Central City, Colorado];
1932; Gelatin silver print; Amon Carter Museum of American Art, Ft
Worth, Texas; Bequest of the Artist; P1979.140.157“Lilian Gish is
the damozel of Arthurian legend, tendered in terms of the
Pre-Raphaelite Brotherhood. Her heroines perpetually hover in filtered
half-lights, linger in attitudes of romantical despair. They forever
drift farther from reality than the dream, and no matter how humble
their actual origins, the actress invariably weaves them of the
dusk-blues, the dawn-golds of medieval tapestries.” Lillian Gish autographed – 1920s
Elaine The Lilly Maid Dreaming of Astolat … Lillian Gish – Way Down East
THE DANCE: MET OPERA GALA By ANNA KISSELGOFF MAY 14, 1984 The New York Times Archive – Time Machine MOST people will tell you a centennial comes along only every hundred years. But if you’re the Metropolitan Opera, you celebrate your hundredth birthday twice. And last night as a followup to October’s big centennial anniversary gala for itself with, naturally, opera singers, the Metropolitan Opera staged an equally stellar gala with some of the biggest names in international dance. Entitled ”Celebration!,” the gala performance commemorating 100 years of performing arts at the Metropolitan Opera reminded us that the Metropolitan had never been exclusively in the singing business. True – there were singers like Yves Montand, John Denver, Lionel Richie and even Placido Domingo, a pop star if there ever was one, to recall that popular entertainers as well as dancers had not only appeared but also been presented or toured by the Metropolitan. But the tr...
“Sold for Marriage” 1916 — Entire Film — “Sold for Marriage” 1916 Triangle-Fine Arts Story of the Russian Peasantry. Sold for Marriage is an interesting story of a Russian family emigrating to the United States and attempting to sell their daughter (Lillian Gish) to a wealthy, elderly suitor. The first two reels, set in the Russian steppes, are impressive in their detail, and in these reels there is at times a comic vein apparent, particularly in the titles and in Miss Gish’s looking her ugly and old suitor up and down before exclaiming, “Marry that beast!” Throughout much of the film, the actress has a pouting look on her face, but there is fine acting in the scene in which she grabs a pair of scissors and considers killing the suitor to whom she has been sold. Despite some beautiful early scenes in the snow and one brief shot of Lillian’s lover, Jim, played by Frank Bennett, on a train speeding from San Francisco to Los Angeles, Sold for Marriage is not a great film. Julian Joh...
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