Why Are We Glad to Get Back Home – Motion Picture Magazine 1924

Why Are We Glad to Get Back Home – Motion Picture Magazine 1924

At the return from Florence, Italy, in 1924…
Why are we glad text 1
Lillian By Albin
Why are we glad text 1B
Why are we glad text 2
German Ross Verlag No. 10341. Phoebus Film. Romola (Henry King, MGM 1924), shot on location in Italy
Why are we glad text 3
Lillian Gish and director Henry King - Romola candid on set
Why are we glad text 3 Letter
To get back home 1
Lillian Gish and William Powell - Romola
Lillian Gish and William Powell – Romola
William Powell and Dorothy Gish Romola
William Powell and Dorothy Gish Romola
Dorothy By Albin
To get back home 2
Romola - Dorothy Gish and Lillian Gish
Romola – Dorothy Gish and Lillian Gish
To get back home 3
Lillian Gish - Romola
Lillian Gish – Romola
To get back home text 3 letter
To get back home 4
Lillian Gish - Romola (mid)
Lillian Gish – Romola (mid)
Why are we glad to get back home 1
Lillian Gish - Romola (detail)
Lillian Gish – Romola (detail)
Why are we glad to get back home 2

Back to Lillian Gish Home page

Back to Lillian Gish Home page

Comments

Post a Comment

Popular posts from this blog

ART DECO FASHION – by Suzanne Lussier (2003)

Image
  ART DECO FASHION – by Suzanne Lussier (2003) ART DECO FASHION Suzanne Lussier BULFINCH PRESS AOL Time Warner Book Group Copyright © 2003 by The Board of Trustees of the Victoria and Albert Museum The term Art Deco was employed for the first time in 1968 by the author Bevis Hillier. It identifies an aesthetic in vogue between 1909 and 1939 which was adopted in architecture, the decorative arts, textiles and fashion; it also influenced the fine arts, film and photography. Art Deco displayed stylized motifs and shapes borrowed from national traditions, folk art and ancient cultures, and was strongly influenced by the art of the avant-garde. Art deco fashion_Tamara de Lempicka 1929 Art Deco emerged from a unique artistic conjunction. From 1905, avant-garde movements sprung up one after another throughout Europe: the Fauves and Cubists in Paris, the Futurists in Italy, the Constructivists in Russia. Meanwhile the Ballets Russes were founded in Russia by Sergei Diaghilev who, wanting to re
Read more

Tears and Cheers for Two Orphans at the Armstrong (The Rock Island Argus – 1922)

Image
Tears and Cheers for Two Orphans at the Armstrong (The Rock Island Argus – 1922) Fort Armstrong Theatre – cca 1920 Monday – The Rock Island Argus – May 15, 1922 Tears and Cheers for Two Orphans at the Armstrong By J.M.C. There were tears and cheers for “Orphans of the Storm” at the Fort Armstrong yesterday. Both the afternoon and evening audiences were demonstrative to a degree rarely witnessed at a picture presentation, proving alike the effectiveness of the producing genius of D.W. Griffith and the acting of the Gish sisters and the principals of the company supporting them. “The Two Orphans,” the play from which the film adaptation was made, for many years had a firm hold on the American theatergoing public because of its heart appeal and Mr. Griffith has not sacrificed this tender element in the building of the screened version, although he has introduced numerous thrills and swashbuckling veneering in order to give the production the punch that causes it to stand out a
Read more