Lillian Gish: still a trouper

Lillian Gish: still a trouper

Lillian Gish: still a trouper: ‘fragile’ beauty of silent films set for a Broadway musical bow

AUTHOR
Margaret Jones

The Sunday Bulletin – Philadelphia, Sun, August 29, 1965

Lillian Gish as Elsie Stoneman (Birth of A Nation)
Lillian Gish as Elsie Stoneman (Birth of A Nation)
Lillian Gish Sub for Elsie Stoneman
Lillian Gish (The Defenders)
Lillian Gish (The Defenders)
Lillian Gish sub for Anya
lillian gish - nacimiento-de-una-nación - the birth of a nation 7
Margaret Jones - Sun Bulletin 1
Lillian Gish as The Nurse in Romeo and Juliet 1965
Lillian Gish as The Nurse in Romeo and Juliet 1965
Margaret Jones - Sun Bulletin 2
lillian gish cca 10 years old
Margaret Jones - Sun Bulletin 3
Margaret Jones - Sun Bulletin 4
Juliet (Maria Tucci) and The Nurse (Lillian Gish) in Romeo and Juliet - 1965
Juliet (Maria Tucci) and The Nurse (Lillian Gish) in Romeo and Juliet – 1965
Gish Sisters sub for placque
Lillian and Dorothy Gish posing as in the broze plaque
Margaret Jones - Sun Bulletin 5
The Closet Scene – Broken Blossoms

Back to Lillian Gish Home page

Lillian Gish Still a Trouper Sun Bulletin Philadelphia Aug 29, 1965

Back to Lillian Gish Home page

Comments

Post a Comment

Popular posts from this blog

Silent Cinema – By Joel W. Finler (1997)

Image
  Silent Cinema – By Joel W. Finler (1997) Silent Cinema – World cinema before the coming of sound By Joel W. Finler First published in Great Britain 1997 © Joel W. Finler 1997 You will see that this little clicking contraption with the revolving handle will make a revolution in our life – in the life of writers… (But) the films! They are wonderful! Drr! and a scene is ready! Drr! and we have another! We have the sea, the coast, the city, the palace… (Leo Tolstoy, interviewed in 1908) By close-ups of the things around us, by focusing on the hidden details of familiar objects, by exploring commonplace milieus under the ingenious guidance of the camera, the film, on the one hand, extends our comprehension of the necessities that rule our lives; on the other hand, it manages to assure us of an immense and unexpected field of action. Our taverns and metropolitan streets, our offices and furnished rooms, our railroad stations and our factories appeared to have us locked up hopelessly. T...
Read more

THE DANCE: MET OPERA GALA

Image
THE DANCE: MET OPERA GALA By ANNA KISSELGOFF   MAY 14, 1984 The New York Times Archive – Time Machine MOST people will tell you a centennial comes along only every hundred years. But if you’re the Metropolitan Opera, you celebrate your hundredth birthday twice. And last night as a followup to October’s big centennial anniversary gala for itself with, naturally, opera singers, the Metropolitan Opera staged an equally stellar gala with some of the biggest names in international dance. Entitled ”Celebration!,” the gala performance commemorating 100 years of performing arts at the Metropolitan Opera reminded us that the Metropolitan had never been exclusively in the singing business. True – there were singers like Yves Montand, John Denver, Lionel Richie and even Placido Domingo, a pop star if there ever was one, to recall that popular entertainers as well as dancers had not only appeared but also been presented or toured by the Metropolitan. But the tr...
Read more

“Sold for Marriage” 1916 — Entire Film —

Image
  “Sold for Marriage” 1916 — Entire Film — “Sold for Marriage” 1916 Triangle-Fine Arts Story of the Russian Peasantry. Sold for Marriage is an interesting story of a Russian family emigrating to the United States and attempting to sell their daughter (Lillian Gish) to a wealthy, elderly suitor. The first two reels, set in the Russian steppes, are impressive in their detail, and in these reels there is at times a comic vein apparent, particularly in the titles and in Miss Gish’s looking her ugly and old suitor up and down before exclaiming, “Marry that beast!” Throughout much of the film, the actress has a pouting look on her face, but there is fine acting in the scene in which she grabs a pair of scissors and considers killing the suitor to whom she has been sold. Despite some beautiful early scenes in the snow and one brief shot of Lillian’s lover, Jim, played by Frank Bennett, on a train speeding from San Francisco to Los Angeles, Sold for Marriage is not a great film. Julian Joh...
Read more