Posters, Lobby Cards, Programs, Promotional adverts and Flyers - Miss Lillian Gish

Posters, Lobby Cards, Programs, Promotional adverts and Flyers - Miss Lillian Gish

Advertising materials from movies and plays.






























































































































































































































































































































































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Pathex Motion Pictures – 1926

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  Pathex Motion Pictures – 1926 Pathex Motion Pictures – 1926 Pathex Motion Pictures For The Home Lillian Gish in “The Children Pay” The Children Pay – Lillian Gish YOU buy Pathex pictures outright and you can soon accumulate a library of interesting and entertaining subjects, always at hand to enjoy whenever you like. Laugh with Harold Lloyd, chuckle with Will Rogers and roar at the escapades of the mischievous “Our Gang” in any one of twenty pictures. Douglas Fairbanks, Lillian Gish, Bessie Love, Charles Ray, Dorothy Gish and Frank Keenah offer you drama a-plenty, while W. S. Hart, Leo Maloney and Tom Santschi will supply thrills in Western melodramas. Lillian Gish in “The Children Pay” No. D 4 Three Reels $5.25 Millicent and Jean, orphans, living happily with an old nurse, Susan, are separated by rich relatives who assume care of them. Both girls are unhappy at being apart, so Millicent takes Jean away and they both steal back to Susan. With Horace Craig, who loves Millicent, as...
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Life Is Beautiful, Says Lillian Gish – By Aileen St. John Brennon (Picture Play – March, 1927)

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Life Is Beautiful, Says Lillian Gish – By Aileen St. John Brennon (Picture Play – March, 1927) Picture Play – March, 1927 Volume XXVI Number 1 Manhattan Medley By Aileen St. John Brennon Life Is Beautiful, Says Lillian Gish. It would be a surprise, wouldn’t it, if you asked for “Diana Ward” at a hotel desk and had Lillian Gish, in person, answer the summons? In one of those shy, retiring moods characteristic of her, Miss Gish came to New York incognito—under the above name—for a change of atmosphere just before she essayed the role of Pauli in the film version of Channing Pollock’s stirring stage play, “The Enemy.” A demure little figure in her black furs and conservative toque, she might have passed for any of a dozen inconspicuous Miss Wards had it not been for her large solemn eyes and delicately modeled hands. Miss Gish, the mature young woman of to-day, is a well-poised, well-balanced being, with a becoming dignity and reserve found only in combination with intelligence, sureness ...
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