The Gish Sisters, Lillian and Dorothy Gish ...

The Gish Sisters, Lillian and Dorothy Gish ...






































































































































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Mayor of NY with Connie Towers and Lillian Gish – backstage in the opening night of “Anya”

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  Mayor of NY with Connie Towers and Lillian Gish – backstage in the opening night of “Anya” Mayor of NY with Connie Towers and Lillian Gish – backstage in the opening night of “Anya” (December 1965) Anya star Connie Towers is pictured backstage with Lillian Gish and Mayor of the New York City John Lindsey. In private life, Connie is Mrs. Eugene McGrath who often visits Miami. Her husband’s mother. Mrs. Harry Scheibla, lives in Miami. The McGraths have two small children, a son and a daughter. Photo Friedman Abeles 351W 54St. N.Y.C. 19 Judson 6-3260 Constance Towers, Lillian Gish and John Lindsey (Mayor of NY) – Photo Anya Dec 5 1965 Constance Towers, Lillian Gish and John Lindsey (Mayor of NY) – Anya Dec 5 1965 Back to Lillian Gish Home page
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“The Angel of Contention” (THE MOVING PICTURE WORLD July 1914)

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“The Angel of Contention” (THE MOVING PICTURE WORLD July 1914) THE MOVING PICTURE WORLD July 1914 “The Angel of Contention” Two-Reel Majestic—Written by Will Levington Comfort and Directed by John O’Brien. Reviewed by Louis Reeves Harrison. CAST. The Angel …………………………………………….. Lillian Gish Her Daddy …………………………….Spottiswoode Aitken Sheriff Magoon ………………………….. George Seignian Jack Colter …………………………………………………R. Walsh THE dominant note in “The Angel of Contention” is very clearly – indicated in the title. Lillian Gish is the angel in a rough settlement of cattle men. They are hard drinkers, hard fighters, of lawless tendency, yet possessing enough inborn honesty in their make-up to show deference to the helpless little woman in their midst. The demure little angel is loved by the big and manly sheriff. A sheriff must possess unusual courage to enforce law in a community where men make laws for themselves, more or less according to the demand of conditions under whic...
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Silent Cinema – By Joel W. Finler (1997)

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  Silent Cinema – By Joel W. Finler (1997) Silent Cinema – World cinema before the coming of sound By Joel W. Finler First published in Great Britain 1997 © Joel W. Finler 1997 You will see that this little clicking contraption with the revolving handle will make a revolution in our life – in the life of writers… (But) the films! They are wonderful! Drr! and a scene is ready! Drr! and we have another! We have the sea, the coast, the city, the palace… (Leo Tolstoy, interviewed in 1908) By close-ups of the things around us, by focusing on the hidden details of familiar objects, by exploring commonplace milieus under the ingenious guidance of the camera, the film, on the one hand, extends our comprehension of the necessities that rule our lives; on the other hand, it manages to assure us of an immense and unexpected field of action. Our taverns and metropolitan streets, our offices and furnished rooms, our railroad stations and our factories appeared to have us locked up hopelessly. T...
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