I've never been in style, so I can't go out of style

I've never been in style, so I can't go out of style

























































































































































































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LILLIAN GISH – An actor’s life for me – 1987

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  LILLIAN GISH – An actor’s life for me – 1987 LILLIAN GISH An Actor’s Life for Me! AS TOLD TO SELMA G. LANES An actor’s life for me Text copyright © Lillian Gish and Selma Lanes, 1987 Illustrations copyright © Patricia Henderson Lincoln, 1987 In vivid anecdotes that are funny, heartbreaking, and remarkably evocative of that fascinating period, stage and screen star Lillian Gish tells the story of her childhood years in the American theater at the beginning of the 1900s. From the perspective of nearly a century. Miss Gish recalls the kindness of her fellow actors during a Christmas spent on a train; hilarious—and sometimes frightening—slipups from many performances; the pain of separation from her mother and younger sister; and the thrill of being a professional actor. For every child who has ever wondered about the glamour and excitement of being on the stage, about how and why a person becomes an actor, this remarkable childhood reminiscence offers a unique and lively insight, as...
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Recalling the early shots with Lillian Gish (Chicago Tribune 1979)

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  Recalling the early shots with Lillian Gish (Chicago Tribune 1979) Chicago Tribune – Thursday March 29, 1979 – Page 22 Recalling the early shots with Lillian Gish Tempo Her own first stage appearance came in a little theater in Rising Sun, Ohio, in a melodrama called “In Convict’s Stripes,” with Walter Huston as its star. “There was an explosion in a stone quarry as part of the play, and when I heard the noise, I ran down to the basement to hide. They came and got me, and I took my first big curtain call perched on Mr. Huston’s shoulder.” The Gishes at that time were friends with Gladys Smith, another child actress who had appeared in “the flickers.” When they went to visit her at the Biograph studio in New York, nobody knew her, and when they said they were sure they had seen her in the Griffith film “Lena and the Geese,” they were told, “Oh, you must mean our Mary.” Gladys Smith had become Mary Pickford of the movies, and it was she who introduced them to Griffith. “Mother and ...
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