Lillian Diana Gish www.lilliangish1893.com

SONS COME AND GO, MOTHERS HANG IN FOREVER – By William Saroyan – 1976 SONS COME AND GO, MOTHERS HANG IN FOREVER By William Saroyan – 1976 Here is William Saroyan’s passionate memoir: Saroyan writing about Saroyan and the people he remembers— lightly, politely, and impolitely. Sons Come and Go, Mothers Hang In Forever is a love letter, written with a pen dipped in acid, to all the unknown and well-known stars in the writer’s life. The people, both loved and hated, range from Greta Garbo, Ernest Hemingway, Louis B. Mayer, and Katharine Hepburn to relatives and childhood companions at the Fred Finch Orphanage— the vast, universal family of man: “What a fool I’ve been all my life, and how right it has been for me, what a blessing in disguise, as the saying is, always unable not to defy the odds. Unable not to insist that God is on my side, the mystery is with me…” “The cowboy bogus-boob Will Rogers enjoyed a lot of sickening fame for his coy head-down chewing-gum pronouncem...

INTOLERANCE (Griffith Wark, 1916) Selected Film Criticism Selected Film Criticism INTOLERANCE (Griffith Wark, 1916) Intolerance Julian Johnson in Photoplay, Vol. 11, No. 1 (December 1916), pages 77-81. Frederick James Smith in The New York Dramatic Mirror, Vol. 76, No. 1969 (September 16,1916), page 22. The metropolitan critics who preceded me in learned discourse upon Mr. Griffith’s sun-play, Intolerance, shot away all the superlatives which were our common property. Thus deprived of the communal ammunition I must lay about me with a week-day set of words and present facts garnished neither with rhapsody nor raillery. Intolerance is a collective story of the penalties paid through the centuries to those who do not believe as we believe.” It occupied its maker’s entire attention for at least a year and a half. Both the notion and the generalship are his. Intolerance is more than the world’s biggest photoplay. In size and scope it is the biggest art-work of any descr...