Triangle-Fine Arts Story of the Russian Peasantry.
Sold for Marriage is an interesting story of a Russian family emigrating to the United States and attempting to sell their daughter (Lillian Gish) to a wealthy, elderly suitor. The first two reels, set in the Russian steppes, are impressive in their detail, and in these reels there is at times a comic vein apparent, particularly in the titles and in Miss Gish’s looking her ugly and old suitor up and down before exclaiming, “Marry that beast!” Throughout much of the film, the actress has a pouting look on her face, but there is fine acting in the scene in which she grabs a pair of scissors and considers killing the suitor to whom she has been sold. Despite some beautiful early scenes in the snow and one brief shot of Lillian’s lover, Jim, played by Frank Bennett, on a train speeding from San Francisco to Los Angeles, Sold for Marriage is not a great film. Julian Johnson, writing in Photoplay (June, 1916) gives an accurate appraisal: “Lillian Gish puts a convincing touch on a play of Russian life which is not convincing in itself.” Oscar Cooper in Motion Picture News (April 15, 1916) also endorsed Miss Gish’s performance, noting “Her work here, as always, gives the impression that she is one of the very few who can justly be called screen stars.”
Marfa – Lillian Gish
Jan – Frank Bennett
Colonel Gregioff – Walter Long
Ivan, the uncle – A. D. Sears
Anna, the aunt – Pearl Elmore
Dimitri, the grandfather – Curt Rehfelt
Georg, Ivan’s brother – William Lowery
The American policeman – Fred Burns
A desperado – Bromwell
Marfa’s mother – Olga Gray
Marfa’s father – G. M. Blue
The undesirable suitor – Mike Siebert
Lillian Gish, Frank Bennett, Walter Long and A. D. Sears carry the principal parts excellently. The scenes in Los Angeles’s Little Russia are as suggestive of our hybrid ghettos as the wilder and more obviously effective glimpses of Russia during a Pogrom.
When Mamaroneck Upstaged Hollywood – By Bruce Berman (The New York Times – June 19, 1977) When Mamaroneck Upstaged Hollywood By Bruce Berman The New York Times – June 19, 1977 BACK in the early 1920’s when Mamaroneck was a center of movie‐making, Joseph Rigano was an employee of D.W. Grif fith’s studio at Orienta. “I was atone mason and mechanic,” the energetic 80year‐old said as we toured on foot Edgewater Point, at the top of the Orienta Peninsula. Griffith Studios, Orienta Point, Mamaroneck NY 1921 “After the studio was finally built, Mr. Griffith asked me to stay on as a set builder. Stone fireplaces were my specialty, but I worked on everything from Gothic walls to painted desert backdrops. The actors were almost always friendly, and I was getting $55 a week and drove a $1,200 Buick. What more could a young man desire?” DW Griffith filming team – Mamaroneck NY – Way Down East In those days the area was less the “East Coast Hollywood” than Hollywood was “the West Co
The Movie Magazines and Lillian Gish … The moving Picture World 1914 detail The moving Picture World 1914 The moving Picture World 1914 detail Moving Picture World, November 21, 1914 Her Awakening – Lillian Gish The Angel of Contention Poster The moving Picture World – Mutual Program – A Question of Courage names wrong Lillian Gish And Dorothy The moving Picture World – Mutual Program – The Sisters The Birth of a Nation (David W. Griffith Corp., 1915). Herald2 Sold for Marriage Triangle Plays Program 1916 lillian_gish_photoplay_1917 08 ID Photo Back to Lillian Gish Home page Photoplay, August, 1918 – Dorothy and Lillian Gish in their dressing room Lillian Gish Photoplay August 1918 Lillian Gish Photoplay February 1919 Lillian Gish Photoplay, July, 1919 Back to Lillian Gish Home page Lillian Gish Photoplay October 1920 Orphans of The Storm Prog Herald 1921 Lillian Gish 1921 – The Girl Back Home Motion Picture Classic Magazine (Brewster, 1921) The Lily Maid from Ohio Ph
Portrait of Lillian Gish and Mother 1920 Nell Dorr Errata: Amon Carter Museum description "Lillian Gish and an elderly woman in lace"; The Movies, Mr.Griffith and Me description of this photo session - "with Mother"