Desert Wind Blows Drama Into This Movie Gives Lillian Gish New Laurels, Too.
Director: Victor Sjöström
Writers: Frances Marion (scenario) Dorothy Scarborough (from the novel by)
It was one of the last silent films released by Metro-Goldwyn-Mayer, and is considered one of the greatest silent films. Lillian Gish came up with the idea of making a film adaption of the novel of the same name. Irving Thalberg immediately gave her permission to do so. Gish recalled wanting Lars Hanson as her leading man, she also assigned Victor Sjöström as the director herself. Sjöström directed Gish before in the 1926 movie The Scarlet Letter. The Wind is considered to be a classic, and one of Gish’s most brilliant performances. It is the last silent film starring Gish, the last directed by Sjostrom, and the last major silent released by MGM.
“The Wind” Produced by Metro-Goldwyn-Mayer Directed by Victor Seastrom Presented at the Rialto theater
Letty ……………..…………… Lillian Gish
Lige ………………….……… Lars Hanson
Roddy ………………… Montague Love
Cora ……………… Dorothy Cummings
Beverly …………….…….. Edward Earle
Sourdough .….… William Orlamond
The story is a strange and thrilling one of the southwest of the early days. It is grim and full of incident, mostly gray and gritty as the blinding, blowing sands. It is one of those pictures that would be just too much to bear unless it had a happy ending.
Well – It has.
Miss Gish is supported by an able cast doing magnificent work. The direction is masterly. Photography – immense. The wind is so real it tears into your nerves.
When Mamaroneck Upstaged Hollywood – By Bruce Berman (The New York Times – June 19, 1977) When Mamaroneck Upstaged Hollywood By Bruce Berman The New York Times – June 19, 1977 BACK in the early 1920’s when Mamaroneck was a center of movie‐making, Joseph Rigano was an employee of D.W. Grif fith’s studio at Orienta. “I was atone mason and mechanic,” the energetic 80year‐old said as we toured on foot Edgewater Point, at the top of the Orienta Peninsula. Griffith Studios, Orienta Point, Mamaroneck NY 1921 “After the studio was finally built, Mr. Griffith asked me to stay on as a set builder. Stone fireplaces were my specialty, but I worked on everything from Gothic walls to painted desert backdrops. The actors were almost always friendly, and I was getting $55 a week and drove a $1,200 Buick. What more could a young man desire?” DW Griffith filming team – Mamaroneck NY – Way Down East In those days the area was less the “East Coast Hollywood” than Hollywood was “the West Co
The Movie Magazines and Lillian Gish … The moving Picture World 1914 detail The moving Picture World 1914 The moving Picture World 1914 detail Moving Picture World, November 21, 1914 Her Awakening – Lillian Gish The Angel of Contention Poster The moving Picture World – Mutual Program – A Question of Courage names wrong Lillian Gish And Dorothy The moving Picture World – Mutual Program – The Sisters The Birth of a Nation (David W. Griffith Corp., 1915). Herald2 Sold for Marriage Triangle Plays Program 1916 lillian_gish_photoplay_1917 08 ID Photo Back to Lillian Gish Home page Photoplay, August, 1918 – Dorothy and Lillian Gish in their dressing room Lillian Gish Photoplay August 1918 Lillian Gish Photoplay February 1919 Lillian Gish Photoplay, July, 1919 Back to Lillian Gish Home page Lillian Gish Photoplay October 1920 Orphans of The Storm Prog Herald 1921 Lillian Gish 1921 – The Girl Back Home Motion Picture Classic Magazine (Brewster, 1921) The Lily Maid from Ohio Ph
Portrait of Lillian Gish and Mother 1920 Nell Dorr Errata: Amon Carter Museum description "Lillian Gish and an elderly woman in lace"; The Movies, Mr.Griffith and Me description of this photo session - "with Mother"