Lillian Gish in Her Latest Production Makes a Shift From New England to Old Scotland Locale
Famed in song and poetry has taken pictorial form in the Metro-Goldwyn-Mayer production directed by John Robertson with Lillian Gish in the title role.
Lillian Gish literally is Annie Laurie. Those who imagined her as a myth or legend will be amazed at the actual woman; Miss Gish is a faithful portrayer of the real Annie Laurie, who lived centuries ago whose love and whose heroism turned the tide of Scottish history in a real life drama more powerful than any imagined by a scenarist; and whose romance has come down to the world in song of the ancient bard. “Annie Laurie” is a tremendous drama of history. It deals with the gigantic ferment and struggle in Scotland that culminated in the Glencoe Massacre.
It is all laid on actual fact. Miss Gish, as the historic daughter of Sir Robert Laurie, chief of Clan Campbell, approaches the genius of Bernhardt, but always coupled with her own ethereal charm, in the mighty drama, in which she enacts the Scottish Joan of Arc. Norman Kerry plays the hero as a chieftain of the enemy clan of MacDonald. The great battle scenes, with hordes of six foot wanders in tartans and plaids, battling with shield and claymore—the majesty of the ancient Scotch castles these all add glamor. But the charm of Lillian Gish pervades it all.
Lillian Gish is in the title role supported by Norman Kerry, Hobart Bosworth, David Torrence, Creighton Hale, Brandon Hurst, Patricia Avery, Joseph Striker, Russell Simpson and Frank Currier—Oliver Marsh photograph—the production under the direction of John Robertson.
When Mamaroneck Upstaged Hollywood – By Bruce Berman (The New York Times – June 19, 1977) When Mamaroneck Upstaged Hollywood By Bruce Berman The New York Times – June 19, 1977 BACK in the early 1920’s when Mamaroneck was a center of movie‐making, Joseph Rigano was an employee of D.W. Grif fith’s studio at Orienta. “I was atone mason and mechanic,” the energetic 80year‐old said as we toured on foot Edgewater Point, at the top of the Orienta Peninsula. Griffith Studios, Orienta Point, Mamaroneck NY 1921 “After the studio was finally built, Mr. Griffith asked me to stay on as a set builder. Stone fireplaces were my specialty, but I worked on everything from Gothic walls to painted desert backdrops. The actors were almost always friendly, and I was getting $55 a week and drove a $1,200 Buick. What more could a young man desire?” DW Griffith filming team – Mamaroneck NY – Way Down East In those days the area was less the “East Coast Hollywood” than Hollywood was “the West Co
Portrait of Lillian Gish and Mother 1920 Nell Dorr Errata: Amon Carter Museum description "Lillian Gish and an elderly woman in lace"; The Movies, Mr.Griffith and Me description of this photo session - "with Mother"
The Movie Magazines and Lillian Gish … The moving Picture World 1914 detail The moving Picture World 1914 The moving Picture World 1914 detail Moving Picture World, November 21, 1914 Her Awakening – Lillian Gish The Angel of Contention Poster The moving Picture World – Mutual Program – A Question of Courage names wrong Lillian Gish And Dorothy The moving Picture World – Mutual Program – The Sisters The Birth of a Nation (David W. Griffith Corp., 1915). Herald2 Sold for Marriage Triangle Plays Program 1916 lillian_gish_photoplay_1917 08 ID Photo Back to Lillian Gish Home page Photoplay, August, 1918 – Dorothy and Lillian Gish in their dressing room Lillian Gish Photoplay August 1918 Lillian Gish Photoplay February 1919 Lillian Gish Photoplay, July, 1919 Back to Lillian Gish Home page Lillian Gish Photoplay October 1920 Orphans of The Storm Prog Herald 1921 Lillian Gish 1921 – The Girl Back Home Motion Picture Classic Magazine (Brewster, 1921) The Lily Maid from Ohio Ph