Great Interest Is Manifest in Return of “White Sister” – Santa Cruz Evening News, 1924

 

Great Interest Is Manifest in Return of “White Sister” – Santa Cruz Evening News, 1924

  • Santa Cruz Evening News, Volume 33, Number 152, 28 April 1924
  • Great Interest Is Manifest in Return of “White Sister”

Lillian Gish does not act, but rather lives the title part in “The White Sister”

Lillian Gish does not act, but rather lives the title part in “The White Sister,” now playing a return engagement at the New Santa Cruz theater, having been brought Back in response to the insistent demands of the many who were unable to gain admission at the former showing. Cast by nature to give an illusion of belonging more to another world than this one, she puts a spiritual quality, an emotion and a tensity into the part which rises to breathtaking moments of artistry. Gish start in Biograph days is supremely fulfilled in Henry King’s production of “The White Sister.” Her popularity today is as sturdy as in the old days with the added advantage of having grown with each new performance. Her characterizations have matured and mellowed to a point of being sheer genius. No one has kept alive flame than Lillian Gish, no one has learned to burn finer.

The White Sister

Lillian Gish was born in Springfield, Ohio, and two years later her sister Dorothy was born in Dayton. They spent their childhood days in Massillon, Ohio.

Miss Gish completed her education at a finishing school and while still in her teens made her stage debut as a fairy in “The Good Little Devil,” produced by David Belasco. She was just sixteen then and her mother and sister had gone to California. She was seized with an acute attack of homesickness. This was increased one night when the wire, which permitted her to fly across the stage, broke and a disheartened fairy , with tears rolling down her pale cheeks, hit a responsive chord in the audience, but almost spoiled the show.

Lillian needed a change and soon the Gish trio was reunited, and Lillian toured the country with a repertoire show of which her sister Dorothy was a member, playing child parts.

The White Sister

Jumps to Films

All this time her reputation was growing as a distinct personality behind the footlights and then one day she went to the Biograph studio to visit Mary Pickford, whose film destinies were being guided by D. W. Griffith at the time. Miss Gish felt the lure of the movies for’ the first time. It was but a short time afterward that she became a member of the Biograph stock company. She played a wide variety of parts during this time, ranging from the little old mother in “Judith of Bethulia,” one of the first multiple reel pictures produced, to Colonel Cameron’s sweetheart in “The Birth of a Nation,” Griffith’s big feature spectacle. When Griffith left the Biograph fold, Lillian Gish followed him through his engagements with Reliance, Majestic, Fine Arts, Artcraft, First National and, finally, United Artists. Her reputation has traveled from coast to coast, country to country, as the result of her splendid impersonations in the living tales which Griffith brought forth. She appeared in “Intolerance” as the mother at the cradle. This was followed by her appearance in “Souls Triumphant.” “Hearts of the World,” “The Greatest Thing in Life,” “Romance of Happy Valley,” “True Heart Susie,” and “The Greatest Question.” Then she directed one of Dorothy’s pictures, “Remodeling Her Husband.” Her remarkable characterizations in “Broken Blossoms” and “Way Down’ East,” in which she portrayed young girl against all odds with the world, firmly established her as the screen’s most appealing actress. Her best role yet, where she has outdone anything in which she has hitherto appeared is in “The White Sister,” however.

The White Sister

STARTS TODAY By Popular Demand, Return Engagement Of the screen’s supreme masterpiece.

For you that have not seen Lillian Gish’s triumph, Here is your opportunity. For you that have, here is your chance to see it again and really appreciate the work of this artist.

F. MARION CRAWFORD’S famous novel filmed in the haunting old-world beauty of Italy.

TERRIFIC THRILLS Vesuvius in actual eruption, a town flooded by water, a fight on the Algerian desert! Lovely Miss Gish as a girl whose love was more eternal than her lover’s passion.

Santa Cruz Evening News 1924 – White Sister returns

Back to Lillian Gish Home page

Comments

Post a Comment

Popular posts from this blog

D.W. Griffith – An American Life (By Richard Schickel – 1984)

Image
D.W. Griffith – An American Life (By Richard Schickel – 1984) D.W. Griffith – An American Life By Richard Schickel – 1984 Griffith! Before him, the movies were a nickelodeon novelty, after him, they were an international art form and a powerful, glamorous American industry He was the first to codify the rules and techniques of screen storytelling, the first to establish the conventions by which the unique capacities of the movies for both sweeping spectacle and profound intimacy could be employed in long, complex narratives, the first to assert the director’s claim to primary authorship of a film Above all, it was Griffith who imagined the future of his medium, and with his driving energy, his taste for the grandiose and his flair for publicity, propelled that medium toward that future—only to be crushed by the very forces he had unleashed. D.w. Griffith (1875-1948) Painting; D.w. Griffith (1875-1948) Art Print for sale His story is, in huge measure, the story of how the ...
Read more

Lillian Gish and Jeanne Moreau – Vanity Fair 1983

Image
Lillian Gish and Jeanne Moreau – Vanity Fair 1983 Vanity Fair – October 1983 Lillian Gish Jeanne Moreau This is a summit meeting: a queen paying homage to an empress. Of course, Lillian Gish, far right, is no truer a blueblood than any other homespun midwesterner. But wherever she goes now, she is treated like a monarch, acknowledging standing ovations in allAmerican palaces like Radio City Music Hall. Her admirers aren’t really applauding her 101 films (she has just completed the 102nd, about a sweet old lady and her sweet old dog). They may never have seen her slim but supernally intense performances in the D. W. Griffith masterpieces or in the Victor Sjostrom classics she made in the late ’20s at MGM. Lillian-Gish-Jeanne-Moreau 60s But they sense in her the grace, the purity, the wealth of symbolism that royalty sustains. Gish’s companion here, Jeanne Moreau, radiates a similar authority; what Gish was to the cinema of the ’20s, Moreau was to the cinema of the ’60s. ...
Read more

LEADING LADIES – 1976 (Electa Clark) PDF Download

Image
  LEADING LADIES – 1976 (Electa Clark) PDF Download “Humanity marches on into the new and glorious 20th century!” exults a daily paper in its first issue of 1901. “Come, oh century, child of hope!” begins a long poem on page one. Another column trills, “We are 20th century women … with the dower of privilege and responsibility which enriches women in this wonderful era!” Lillian Gish had a similar effect on millions who saw her in the movies. She was not only talented, she had a unique quality: pure, ethereal, elusive. As if she acted in whispers. As if in her hands, the definite blurred into the indefinite. It was drama critic George Jean Nathan who described her as being “behind a veil of silver chiffon.” He courted Lillian for years, but she eluded marriage. Horse drawn float declares National American Woman Suffrage Association’s support for Bristow-Mondell amendment 1920s Lillian Gish Actress ‘La Boheme’ Oversized DBW Photo by Kenneth Alexander Leading ladies an affectionate l...
Read more