Lillian Gish is Gripping … Drama of War Hatreds (Blade Tribune, 1928)

 

Lillian Gish is Gripping … Drama of War Hatreds (Blade Tribune, 1928)

  • The Oceanside Blade – California
  • Blade Tribune, 6 April 1928
  • LILLIAN GISH IS GRIPPING … DRAMA OF WAR HATREDS

War and its horrors have been translated to the screen in many forms, the surge and thunder of battle has been depicted in great spectacles; the side of the soldier told in “The Big Parade” but to Lillian Gish has fallen the task of telling the side of those who, perhaps, suffer most but whose side has never before been presented—the side of the women who face starvation, grief and moral disintegration as a side issue in the struggles of nations. Such is her message in ‘“The Enemy,” Metro – Goldwyn – Mayer’s graphic depiction of Channing Pollock’s famous stage drama —a story of war away from the battlefield; a story of the hatreds, hysteria and breaking down of human relationships that follow like a pestilence in the wake of war propaganda.

On the stage the story was held the drama’s greatest gift to the cause of peace. As a vehicle for Miss Gish the new picture, will play at the Carlsbad Theatre Sunday and Monday, is one of the most gripping plays the famous star has ever appeared in. It presents a new Lillian Gish—a Lillian Gish in a modern role in a modern garb, in an intensely modern story. It tells of the after-war effects of international hatreds in a powerful dramatic theme. At times the star rises to almost sublime heights in the graphic portrayal of the tragic Pauli. Fred Niblo directed the picture, with a notable cast. Ralph Forbes plays Carl, the husband, and Ralph Emerson the English lover.

Frank Currier and George Fawcett have two splendidly-handled character roles as the old fathers of the couple, and Karl Dane and Polly Moran supply relief generously and well. Fritzi Ridgway in the role of Mitzi and John S. Peters as Fritz enact an interesting counterplot in the story, and little Billy Kent Schaeffer plays the child. Willis Goldbeck, noted for his work on “The Garden of Allah,” adapted the story from the original Channing Pollock stage play, And Agnes Christine Johnston wrote the scenario.

Lillian Gish and Ralph Forbes in “The Enemy” (MGM, 1927)

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